新世纪好莱坞多重时空叙事研究
发布时间:2018-01-25 04:13
本文关键词: 多重时空 电影叙事 “异次元”时空 观众接受心理 好莱坞 出处:《上海交通大学》2014年硕士论文 论文类型:学位论文
【摘要】:近些年来,好莱坞影坛出现了一些具有国际影响力的叙事新颖的优秀电影,,如《源代码》《云图》《盗梦空间》《禁闭岛》等。这些电影在叙事思维上有了很大突破,不拘泥于传统的叙事思维和表达,带给观众耳目一新的感觉;它们最大的共同特点就是有着新颖的时空观念——从“多重时空”上面挖掘叙事潜力。论文依托于新世纪后出现的一些较为成功的好莱坞多重时空电影,对多重时空叙事的创作特征、技巧、效果进行分析,进行电影创作方面和观众接受方面的研究。 首先,论文的绪论和第一章对研究背景、意义以及题目中所出现的时间分界、概念进行界定,阐释时空、多重时空概念与好莱坞多重时空的发展,明确论文的研究范围和研究对象。第二章为“所叙之事”,从电影叙事主题、情节、人物、风格角度入手,研究多重时空叙事的表现特点。第三章为“事之所叙”,强调“叙”,从应用的角度探讨多重时空叙事结构的特点。第四章为“叙事意义”讨论多重时空的叙事价值,从电影创作和观众接受两个角度分析好莱坞的这种复杂的时空结构的叙事意义。第五章,根据观众接受上的劣势与创作原则,分析用多重时空结构需要注意的时长、节奏、语境问题,提出要坚持现实主义原则、避免形式化的建设性意见。 重时空在电影叙事中有很大的叙事潜力和戏剧张力,能够为电影叙事带来创作突破。叙事的价值除了带给创作本身的效果还离不开观众的评价,因此需要从观众接受角度和创作原则角度综合运用。承认多重时空为电影艺术者提供了更丰富的电影语言应用的同时,我们不得不注意,它仍旧是一种电影叙事的创作技法,多重时空可以为一个平凡的电影增加买点、噱头来吸引观众瞩目,却不能使电影本身拥有更为生动的艺术生命,最重要的故事本身的叙事动因以及电影创作者的奇思妙想。
[Abstract]:In recent years, Hollywood film industry has emerged some international influence of novel narrative excellent films. For example, "Source Code", "Cloud Picture", "Inception", "closed Island" and so on. These films have made a great breakthrough in narrative thinking, do not stick to the traditional narrative thinking and expression, and bring the audience a fresh feeling; Their most common feature is that they have a new concept of time and space-to tap the narrative potential from the "multiple space-time". The thesis relies on some successful Hollywood multi-space-time movies that appeared after the new century. This paper analyzes the creative characteristics, skills and effects of multiple temporal and spatial narration, and studies the aspects of film creation and audience acceptance. First of all, the introduction and the first chapter of the research background, significance and the topic of time boundaries, concepts to define, explain the concept of space-time, the concept of multiple space-time and Hollywood multi-space-time development. The second chapter is "the story described", from the movie narrative theme, plot, characters, style perspective. The third chapter is "the narration of things", emphasizing "narration". From the perspective of application, this paper discusses the characteristics of multiple space-time narrative structure. Chapter 4th discusses the narrative value of multiple space-time for "narrative significance". From the perspective of film creation and audience acceptance, this paper analyzes the narrative significance of Hollywood's complex space-time structure. 5th chapters, according to the weaknesses of audience acceptance and creative principles. This paper analyzes the problems of time, rhythm and context that need to be paid attention to with multiple space-time structures, and puts forward some constructive suggestions to adhere to the principle of realism and avoid formalization. The emphasis on space and time has great narrative potential and dramatic tension in the film narration, which can bring creative breakthrough to the film narrative. The value of narrative can not only bring the effect of creation itself but also the evaluation of the audience. Therefore, it is necessary to apply it comprehensively from the perspective of audience acceptance and creative principles. We have to pay attention to the fact that the multiple space-time provides a richer application of the film language for the film artists at the same time. It is still a creative technique of film narration, more time and space can increase the point for an ordinary film, gimmicks to attract audience attention, but can not make the film itself has a more vivid art life. The most important story itself is the narrative motivation and the filmmaker's whims.
【学位授予单位】:上海交通大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905
本文编号:1461949
本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/1461949.html