诗性与梦境——《路边野餐》的诗意叙事与多重主题

发布时间：2018-01-25 22:44

本文关键词： 潜行者陈升电影大师影像风格侯孝贤佩索阿贾樟柯费尔南多影像化科幻小说 　出处：《电影评介》2016年13期 　论文类型：期刊论文

【摘要】：正《路边野餐》的原片名为《惶然录》,取自费尔南多·佩索阿的同名随笔结集,后为拉近与观众的距离,改为安德烈·塔可夫斯基《潜行者》的原著科幻小说《路边野餐》。作为一个青年导演,毕赣的影像风格受到了侯孝贤、阿彼察邦、塔可夫斯基等多位电影大师的影响,同样对家乡风土人情的影像化展览也使得他被媒体誉为"第二个贾樟柯",但毕赣自己坦言:"任何一个导演都只能给你一双鞋,路还是要你自己走。"
[Abstract]:The original "roadside picnic" is called "disquiet," from a collection of essays of the same name by Fernando Pessoa, and then draws closer to the audience. It's the original science-fiction novel "roadside picnics" by Andre Tacowski. As a young director, Bigan's image style has been inspired by Hou Hsiao-hsien, Abichabon. The influence of many movie masters such as Tacovsky, as well as the image exhibition of local customs in his hometown, also made him known as "the second Jia Zhangke" by the media. But Bi Gan himself frankly said: "any director can only give you a pair of shoes, the road or you go."
【作者单位】：电影评介杂志社;
【分类号】：J905
【正文快照】： 《路边野餐》的原片名为《惶然录》,取自费尔南多·佩索阿的同名随笔结集,后为拉近与观众的距离,改为安德烈·塔可夫斯基《潜行者》的原著科幻小说《路边野餐》。作为一个青年导演,毕赣的影像风格受到了侯孝贤、阿彼察邦、塔可夫斯基等多位电影大师的影响,同样对家乡风土人情

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