好莱坞黑手党题材电影研究

发布时间：2018-01-28 09:13

本文关键词： 黑手党电影黑帮电影黑手党　出处：《山东师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：“黑手党”作为诞生于意大利、发迹于美国的黑社会犯罪组织，在历史上可谓声名狼藉。但在文学、戏剧、电影、动漫、游戏等领域，却屡屡成为艺术表现的热门题材。从上世纪三十年代起，好莱坞就开始对黑手党题材进行电影化的改编与创作，并呈现出独特的艺术魅力。鉴于黑手党题材电影的流行性和多元文化价值，本文将以此作为研究对象，完整梳理黑手党电影的发展脉络，并着重概括其艺术形象、文化内涵、叙事特点、美学意义等等。本文主要分为五大部分。第一部分首先对黑手党电影的创作概貌进行梳理。通过对黑手党电影的概念界定，确定本文的主要研究对象，并对黑手党电影的产生原因进行深层探究。然后着重梳理黑手党电影的创作概貌，从早期创作雏形，到六十年代以科波拉、马丁·斯科塞斯为代表的创作热潮，从九十年代的多元化创作倾向，到新世纪的后结构主义风潮，通过对不同发展阶段的创作特点概括，试图总结出黑手党电影可供重复操作的共性元素。第二部分主要探究黑手党电影的人物形象特色。分别从人物原型探究、角色塑造分析、形象魅力展现、女性角色设置四个角度加以分析。关于黑手党电影的人物原型，本文主要从西部精神的内在延续和真实黑手党的现实映射，来对其人物原型进行追溯。并通过论述电影角色塑造的逼真生动性，来概括总结不同黑手党人物形象所具有的超强性格魅力——迷人的黑色英雄和不羁的灰色英雄。第三部分是对黑手党电影的文化元素进行深入分析。黑手党电影深受意大利移民文化和美国文化的双重影响，在这一题材的长期创作过程中，蕴含了丰富的黑手党文化、宗教文化、移民文化、家庭文化观念、地域文化等等，这些元素的有效介入大大提高了电影的审美意蕴。第四部分则是对黑手党电影的叙事特点进行归纳总结。黑手党电影作为一类题材特殊的影片，它以暴力呈现作为承载戏剧冲突的主要方式；并在叙事视角和叙事结构上，注重故事节奏和人物命运走向的把控，从而让影片具有了多重解读的可能性。同时黑手党电影再现空间和精神空间的有效并置，也为影片故事呈现和观众精神寄托，提供了一个虚实相生、交相呼应的载体。第五部分最终上升到对黑手党电影美学价值意义的探讨。好莱坞拍摄的黑手党题材电影，满足了公众对于这一神秘组织体系的好奇心理和观赏欲望，并在法西斯美学和暴力美学杂糅展示下，，对于观众英雄梦想和权力欲望的心理满足感的营造，有着鲜明的戏剧性体现。在欣赏和体验之余，黑手党电影还注意在抒写他们浪漫传奇故事的同时，更多的融入人文内涵和思辨色彩，体现出对人类社会权力与罪恶关系的深刻审视和反思。最后结语，本文同样正视了黑手党题材电影所带来的消极误导作用，但同时也肯定了黑手党电影在此方面的有效规避。结合黑手党电影存在的现实意义以及流行文化趋势，总结得出，黑手党题材电影坚持商业和艺术并举的发展策略，以及对当代电影发展具有的良好借鉴和启示意义。其兼具现实主义精神和浪漫主义情怀的主题风格，是电影艺术不断得以继承发展的关键所在，也是世界电影在创新道路上不断模仿和超越的动力所在。
[Abstract]:"Mafia" was born in Italy, rooted in America's criminal underworld organization, is notorious in history. But in literature, drama, film, animation, games and other fields, has become a hot topic of artistic expression. From the last century since 30s, Hollywood began the cinematic adaptation and creation of Mafia the theme, and show the unique artistic charm. In view of the Mafia movies are popular and diverse cultural values, this paper will take this as the research object, combing the development of complete Mafia film, and summarizes the artistic image, cultural connotation, narrative features, aesthetic significance and so on.
This paper is divided into five parts. The first part of the film Mafia creation overview are reviewed. Based on the concept definition of the film Mafia, determine the main object of study, and the causes of the film Mafia for deep exploration. Then focuses on the creation of the film Mafia overview, from early 60s to the creation of a prototype, Coppola. Martin Scosese as the representative of the creation trend, from 90s the diversified tendency of creation, to the new century of post structuralism trend, through the summary of the creative features of different stages of development, attempts to summarize the common elements of film Mafia for repeated operation.
The second part mainly explores the features of the characters. The film Mafia separately from the archetypal inquiry, character analysis, image charm, female character set four be analyzed. Characters about Mafia film, this article mainly from the spirit of the continuation of the Mafia and the real inner reality mapping, the archetypal characters back and through discussing the movie role in the shaping of the vivid, grey hero to summarizing the characters of different Mafia image has the superior character charm, charming black hero and uninhibited.
The third part is the cultural elements of the film Mafia in-depth analysis. The dual influence of film Mafia by Italy immigration culture and American culture, in the long process of creation this theme, contains Mafia culture, rich religious culture, immigrant culture, family culture, regional culture and so on, effective involvement of these elements greatly improve the aesthetic implication of the film.
The fourth part is the narrative characteristics of the film Mafia are summarized. The film Mafia as a kind of special theme film, it appears as the main way to violent conflict in the drama bearing; and narrative perspective and narrative structure, pay attention to the rhythm of the story and the fate of the characters to the control, so that the movie has the possibility of multiple interpretations at the same time. The effective juxtaposition of Mafia represented in the film space and spiritual space, but also for the film the story and the audience of spiritual sustenance, provides a virtual and real, carrier echoes.
The fifth part discusses the value significance finally rose to the Mafia film aesthetics. Hollywood film Mafia theme movie, meet the public for this mysterious organization system of curiosity and desire to watch, and in the fascist aesthetics and aesthetics of violence hybridity show for the audience, the hero dream and desire for power of psychological satisfaction and create a. Dramatic reflect. In appreciation and experience over the film Mafia also pay attention to describe their romance stories at the same time, more humanisticconnotation and speculative color, reflecting on the human society and the relationship between the power of sin deep survey and reflection.
The final conclusion, we also face the negative films Mafia to bring misleading effect, but also must effectively avoid film Mafia in this respect. Combined with the practical significance of Mafia film exists and the trend of popular culture, we conclude that the Mafia films adhere to the development strategy of commercial art and simultaneously, and the development of contemporary film good reference has the enlightenment significance. It has realistic spirit and romantic themes, is the key to the continuous film art inheritance and development, but also the world cinema in the path of innovation constantly imitate and surpass motivation.

【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

【参考文献】