电影作为新兴实业——20世纪20年代中国电影的复杂境遇及其观念生成

发布时间：2018-01-29 07:36

本文关键词： 新兴实业世纪年代中国电影复杂境遇观念生成社会改良民众娱乐艺术追求商业竞争　出处：《当代电影》2017年04期 　论文类型：期刊论文

【摘要】：20世纪20年代,在极为复杂的历史境遇里,中国民族影业从萌芽走向初兴。在开放的心态与比较的视野中,秉持着一种民族主义立场与历史进化观念,中国电影从业者倾向于把电影当作一种集社会改良、民众娱乐、艺术追求与商业竞争于一体的新兴实业;而作为新兴实业重要载体的影业公司及其个人命运的盛衰沉浮,也成为这一时期社会舆论与电影批评的重要关注。与此同时,跟近代以来的思想启蒙和现代化运动以及实业救国思潮相呼应,在民族影业的组织、结构、制片、发行和放映等各个环节,电影从业者也在努力张扬一种悉心经营、义利并举的合作精神,借以服务社会、发扬国光,并在与欧美电影相抗衡的过程中,寻求民族电影之出路,拓展中国电影之前途。
[Abstract]:In 1920s, in the extremely complicated historical circumstances, the Chinese national film industry moved from the bud to the beginning. In the open mind and the comparative vision, held a kind of nationalism standpoint and the historical evolution idea. Chinese film practitioners tend to regard film as a new industry which integrates social improvement, popular entertainment, artistic pursuit and commercial competition. As an important carrier of new industries, the rise and fall of film companies and their personal fate has become an important concern of public opinion and film criticism in this period. In line with the ideological enlightenment and modernization movement since modern times as well as the ideological trend of industrial salvation, in the organization, structure, production, distribution and projection of the national film industry and so on. Film practitioners are also making great efforts to promote a spirit of cooperation, which is managed with care and interests, so as to serve the society, develop the national light, and seek a way out for national films in the process of competing with European and American films. To expand the future of Chinese films.
【作者单位】：北京大学艺术学院;
【分类号】：J909.2
【正文快照】： 电影作为新兴实业,是在“鸦片战争”结束、洋务运动兴起之后,中国最早一批近代实业家大力兴办实业并积极推动实业救国之际,在农业、工业、商业和船业等“实业”领域之外,对19世纪末才真正诞生、20世纪20年代初才在中国“蒸蒸日上”,并作为一种集社会改良、民众娱乐、艺术追求

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