论苏照彬的编剧艺术

发布时间：2018-01-29 12:40

本文关键词： 苏照彬人物塑造主题内涵叙事风格　出处：《上海师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：苏照彬是近年来活跃在海峡两岸的电影编剧，，本文试图深度分析、总结并研究其编剧艺术与魅力所在。本课题的研究思路将以苏照彬所编剧电影的创作时间为线索，梳理其独立创作之电影作品；以其创作的不同类型的电影作品为分界点，并通过研究其电影剧本创作的独特个人经历、以及其对于电影剧本的人物塑造、主题内涵、美学风格等四大方面，从纵向和横向两个角度对于苏照彬所编剧的电影做出深入分析和总结，并展望其对于整个华语电影的推动作用和深远意义。在创作概述章节中，笔者将介绍苏照彬如何从一名现代化高科技从业人员转变成一名专业电影编剧。通过对其独特创作经历的深入研究，掌握其电影剧本创作的基本脉络并进行分析和总结。在人物塑造章节中，笔者将从苏照彬所设计的主角人物共同的“橡皮人”特质出发，对其主角人物进行深入分析和研究；此外，笔者还将对苏照彬电影中丰富、出彩的非典型性配角人物进行深度探讨，以揭示其如何创作优秀、丰满的人物形象。苏照彬所编剧的电影作品中所包含的多元化、深远主题，根据其创作影片类型的不同，也有着明显的差异。在主题内涵章节中，笔者将深入分析和研究苏照彬在剧作中所透露出的黑色幽默的人生观与其对于现代科学与传统文化所造成冲击的反思。与以往恬静、抒情的台湾电影美学所不同，苏照彬的电影美学特别值得我们细细玩味与深入品读。在美学风格章节中，将对其所创作的电影划分为两种截然不同的影像、美学风格；一是多线交错、充满后现代主义美感的电影美学风格，二是不急不缓、保有台湾电影一贯气质的从容之美。看似截然相反的两种电影美学风格，正是苏照彬所编剧的电影作品带给观众电影之美的魅力和享受。
[Abstract]:Su Zhaobin is an active screenwriter on both sides of the Taiwan Strait in recent years. The research idea of this topic will take Su Zhaobin's screenwriter's film creation time as the clue, combs its independent creation movie work; With the different types of film works as the demarcation point, and through the study of his unique personal experience of screenplay creation, as well as its characters for the film script, theme connotation, aesthetic style and four aspects. This paper analyzes and summarizes the films written by Su Chaobin from both vertical and horizontal angles, and looks forward to its promoting effect and far-reaching significance to the whole Chinese film. In the section of creation overview, the author will introduce Su Chaobin how to transform from a modern hi-tech practitioner to a professional film writer. Through the in-depth study of his unique creative experience. Grasp the basic context of its screenplay writing and analysis and summary. In the character shaping chapter, the author will proceed from Su Zhaobin's design character common "rubber person" characteristic, carries on the thorough analysis and the research to its protagonist character; In addition, the author will explore deeply the rich and outstanding supporting characters in Su Chaobin's films in order to reveal how to create excellent and full characters. Su Zhaobin's film works contain a variety of far-reaching themes, according to the different types of films, there are also obvious differences. In the theme content chapter. The author will deeply analyze and study Su Chaobin's black and humorous outlook on life and his reflection on the impact of modern science and traditional culture. Unlike the tranquil and lyrical Taiwan film aesthetics in the past, Su Zhaobin's film aesthetics is especially worthy of our careful play and in-depth reading. In the aesthetic style chapter. The film is divided into two distinct images, aesthetic style; One is the multi-line staggered, full of post-modernism aesthetic style of film, and the other is that it is not urgent to keep the calm beauty of the consistent temperament of Taiwan film. It seems to be the opposite of the two film aesthetic styles. It is Su Chaobin's film works that bring the audience the charm and enjoyment of film beauty.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J904

【引证文献】