后殖民主义与中国第五代导演创作研究

发布时间：2018-02-01 03:11

本文关键词： 后殖民主义 “第五代”导演中国电影迷失与超越　出处：《湖南师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：以陈凯歌、张艺谋等为代表的“第五代”导演在中国的电影发展史上是非常重要的一代。他们是在历经十年的文化浩劫和民族灾难后、中国进入了改革开放这样的大背景下诞生的,这注定了他们的创作与当时国内的政治、经济、文化是分不开的。他们自身的“文革”经历、“知青”经验也加深了他们对生命的感悟,在一定程度上也影响着他们的创作。而随着“第五代”导演的创作在国际上的屡次获奖,各界评论沸沸扬扬,“第五代”导演们也纷纷陷入了后殖民主义批评的漩涡之中。对“第五代”导演的创作与后殖民主义理论关系的考察,不仅有利于我们正确认识“第五代”导演的创作,而且有利于中国电影以及中国文化的发展。本文从后殖民主义理论入手,分五部分展开论述：首先是绪论部分,对后殖民主义与中国“第五代”导演创作已有的研究现状和成果进行梳理和综述；其次对后殖民主义理论及其在中国的影响做一个系统的梳理,包括对后殖民主义理论进行简要概述,涉及西方从殖民主义到后殖民主义转变的时代背景,理论溯源和理论核心特征等内容,也包括后殖民主义理论在中国的传播与接受历程,为后面展开的深入分析与研究提供强有力的背景支撑；第三是对“第五代”导演诞生的历史文化背景进行剖析,包括当时的政治、经济、文化等社会大背景,也包括“第五代”导演本身的人生经历和阅历等,以更为准确和深刻的理解影响“第五代”导演创作的各种因素；第四对后殖民主义与“第五代”导演创作之间的关系进行梳理、分析与探讨,总结出两者关系呈现出以下3个阶段：“似是而非”阶段、“两难”选择阶段以及在迎合中走向“迷失”阶段；最后分析“第五代”导演创作的意义,并反思创作中出现的“后殖民主义”倾向,同时对中国电影的未来给予全新展望,即中国电影要想保持长久的生命力,既不能只是坚持“本土化”立场,以一种“对抗性”态度自居,也不能盲目扩大“后殖民主义”这一“中介性”的作用,中国电影只有加强与西方乃至国际学术界的“交流”与“对话”,在承认东西方的文化差异的基础之上,形成一种“相互理解”,从而在全球建立起华夏文化与世界文化平等交流的平台,这样才能摆脱后殖民主义的迷雾,最终找寻到中国电影的真正出路。
[Abstract]:The "Fifth Generation" directors, represented by Chen Kaige and Zhang Yimou, are very important generation in the history of Chinese film development. They are after ten years of cultural catastrophe and national disaster. China entered the background of reform and opening up, which doomed their creation and domestic politics, economy, culture is inseparable. Their own "cultural revolution" experience. The experience of educated youth also deepens their perception of life and influences their creation to some extent. And with the creation of the "Fifth Generation" director in the international repeatedly won prizes, all circles of criticism. The directors of the Fifth Generation have also been caught in the whirlpool of postcolonial criticism. The relationship between the creation of the directors of the Fifth Generation and the theory of post-colonialism has been investigated. It is not only helpful for us to correctly understand the creation of the Fifth Generation directors, but also conducive to the development of Chinese films and Chinese culture. This article starts with the theory of post colonialism, and discusses it in five parts: first, the introduction part, combing and summarizing the existing research status and achievements of the post colonialism and the fifth generation of Chinese director creation; Secondly, it makes a systematic analysis of the theory of post-colonialism and its influence in China, including a brief overview of the theory of post-colonialism, involving the background of the transition from colonialism to post-colonialism in the West. The source of the theory and the core characteristics of the theory, including the spread and acceptance of the postcolonial theory in China, provide a strong background support for the further analysis and research. The third is to analyze the historical and cultural background of the birth of the "fifth generation" director, including the political, economic, cultural and other social background, but also the "fifth generation" director's own life experience and experience. With a more accurate and profound understanding of the "fifth generation" director's creation of various factors; 4th combs, analyzes and discusses the relationship between postcolonialism and the creation of the fifth generation directors, and concludes that the relationship between the two shows the following three stages: "specious" stage. "Dilemma" selection stage and "lost" stage in pandering; Finally, it analyzes the significance of the creation of the "fifth generation" directors, and reflects on the tendency of "post-colonialism" in the creation, and gives a new prospect to the future of Chinese films, that is, the Chinese films want to maintain long-term vitality. Neither can we just adhere to the position of "localization" and regard ourselves as "confrontational", nor can we blindly expand the role of "postcolonialism" as an "intermediary". Chinese films only strengthen the "exchange" and "dialogue" with the western and even international academic circles, and form a kind of "mutual understanding" on the basis of acknowledging the cultural differences between the East and the West. Thus, the platform of the equal exchange between Chinese culture and world culture is established in the world, so as to get rid of the fog of post colonialism and finally find the real outlet of Chinese film.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905;J911

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