数字立体技术影响下的3D电视纪录片研究
发布时间:2018-02-02 14:34
本文关键词: 3D立体技术 3D电视纪录片 特征研究 创作规律 美学分析 出处:《南京师范大学》2013年硕士论文 论文类型:学位论文
【摘要】:3D立体视频技术具有高临场感、高仿真性的特征,是广播电视显像和传播的下一代高尖技术。从最近十几年开始,围绕3D立体视频技术,世界各国在信息获取和视觉显示科技等领域,展开了新一轮的追逐。现在,3D立体视频已经成为了国内外助力广播电视数字媒体和文化创意产业升级更新的主要推手。 3D电视纪录片作为其中一种典型的类型分支开始在许多国家初露头角,以其独特的审美形式复制并改变着人们当下的生活方式和感知方式,成为加速全球化进程的极为重要的新兴文化因素。但是,相比于其荧屏上的快速发展,3D电视纪录片的理论研究现仍滞后,多技术开发而少理论梳理,理论结构严重缺失。 本文将通过四章的篇幅,由表及里,分析3D立体技术对于3D电视纪录片产生的双面影响,并结合影视艺术理论、社会学理论、传播学理论,对3D电视纪录片展开研究。 第一章探讨了3D电视纪录片的特征和创作规律:通过分析3D电视纪录片最直观的的影像构成要素,以及题材角度,来展示技术与艺术相互影响的张力关系,提出3D电视纪录片作用于受众的最独特的特征。 第二章则在对3D电视纪录片的特征有一定认知的基础上,从美学角度,通过分析3D立体技术对3D电视纪录片在受众审美方面产生的突破和冲击,提炼出3D电视纪录片的美学价值。 第三章对3D电视纪录片从文化学和社会学层面进而提出了担忧和批判,在分析3D电视纪录片可能带来的消解文化深刻性的同时,也一分为二地对3D电视纪录片的积极意义进行了阐释。 最后,第四章论证了3D电视纪录片在中国的市场发展前景、优势路径和在跨文化传播中生存的可能性,并且预见性地提出了对策分析。
[Abstract]:3D stereoscopic video technology is the next-generation high-sharp technology of radio and television imaging and transmission with the characteristics of high telepresence and high simulation. Since the last decade, 3D stereoscopic video technology has been around. Countries around the world in the field of information acquisition and visual display technology, launched a new round of pursuit. Now. 3D stereoscopic video has become the main driving force for the upgrading of domestic and foreign radio and television digital media and cultural and creative industries. 3D TV documentary as one of the typical types of branches began to show its head in many countries, with its unique aesthetic form to copy and change the current way of life and perception of people. However, compared with the rapid development on the screen, the theoretical research of 3D TV documentary is still lagging behind, more technology development and less theory combing. The theoretical structure is seriously missing. This paper will analyze the impact of 3D stereoscopic technology on 3D TV documentary through four chapters, and combine the theory of film and television art, the theory of sociology, the theory of communication. Research on 3 D TV documentary. The first chapter discusses the characteristics and creative law of 3D TV documentary: by analyzing the most intuitive image elements of 3D TV documentary, as well as the angle of subject matter. In order to show the tension relationship between technology and art, the author puts forward the most unique characteristics of 3D TV documentary acting on the audience. The second chapter on the basis of a certain understanding of the characteristics of 3D TV documentaries, from the perspective of aesthetics, through the analysis of 3D three-dimensional technology on the 3D television documentary in the aesthetic aspects of the breakthrough and impact. Abstract the aesthetic value of 3 D TV documentary. The third chapter of the 3D television documentary from the cultural and sociological level and then put forward the concern and criticism, in the analysis of 3D television documentary may bring about the resolution of cultural profundity at the same time. It also explains the positive significance of 3 D TV documentary. Finally, chapter 4th demonstrates the market development prospect of 3D TV documentary in China, the advantage path and the possibility of surviving in the cross-cultural communication, and puts forward the countermeasure analysis presciently.
【学位授予单位】:南京师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J952
【参考文献】
相关期刊论文 前10条
1 刘言韬;;3D立体电影的新视听与新技术[J];电影艺术;2010年02期
2 薛兵;李世萍;;江苏台3D电视制作探索与展望[J];广播与电视技术;2012年01期
3 孔彬;;3D立体电视市场研究报告(2011) 3D立体电视市场概述[J];中国数字电视;2012年Z1期
4 农卡;;从受众的角度浅析艺术家本源与受众矛盾的产生[J];美术界;2008年07期
5 陈柳钦;;论产业价值链[J];兰州商学院学报;2007年04期
6 王蕾;;3D电影热给中国纪录片带来的启示[J];青年记者;2011年29期
7 王蕾;;论3D电影热潮下中国纪录片的发展[J];现代视听;2011年12期
8 晨光;;1989—2009年电视纪录片美学形态及特征[J];现代传播(中国传媒大学学报);2010年02期
9 张红军;毛阅;;中国纪录片产业链现状分析及策略建构[J];现代传播(中国传媒大学学报);2011年06期
10 聂欣如;;动画可以成为纪录片吗?[J];中国电视;2010年02期
,本文编号:1484755
本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/1484755.html