李安电影的性别秩序研究

发布时间：2018-02-04 21:25

本文关键词： 李安电影性别秩序父权同性恋　出处：《华中师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：上世纪八九十年代以来,越来越多的华人导演,将中国电影带入国际影坛,他们用镜头与影像把灿烂悠久的中国文化推向世界。李安导演便是其中之一。李安以中西融合的视角和深厚的艺术创造力展示了他对于中西文化的各种感悟,其中性别问题一直是李安电影关注的重要维度之一。本文就将以父权、女性、同性恋为切入点,管窥李安导演对于性别问题的思考。第一章与第二章主要围绕男女两性秩序的主题,探讨两性秩序的解构和重构。传统的性别秩序是男性为主导,女性附之,父权制度是整个男性秩序的核心和根基。因此第一章第一节以解构父权为切入点,分析李安电影对男性逻各斯中心下的性别秩序的消解。其消解主要分为三个层次：质疑父权、否定父权、颠覆父权。第二节将视角投向在男性秩序中被主导的女性,解读李安导演如何提升女性地位。有三个角度：将女性作为叙事中心的深层内涵；解放“被看”的女性身体；摒弃“他者”的女性意识。消解的意义在于改变,所以第二章着重分析了在解构旧有秩序后李安如何重构新的性别秩序。第一部分探讨李安对于传统秩序中男女两性的性别气质和性别角色进行的调整,其采用的方式是互置。第二节则探讨了李安在电影中构建新的两性秩序的具体内涵：两性平等、女性对男性的“反救赎”以及男女两性相依共生。第三章以同性恋为主要分析目标,解读性别秩序中的特殊话语。首先李安将同性恋与异性恋作同质性的隐喻,设置阴阳互补的性别关系,用异性恋的叙事模式,将同性恋去特殊化。其次通过对同性恋符号的多重所指,分析同性恋作为一种人类情感诉求方式所具有的普世价值。李安电影的性别秩序内涵是丰富的,除了传统性别秩序中的男女两性,也关照了同性恋这一特殊秩序。李安试图打破传统的对立关系,包括男女两性的二元对立,同性恋与异性恋的对立。以期构建一种新的性别秩序,在这种秩序中性别关系是相依共生的,是和谐平等的。李安以此来表达对于美好人性的向往与追求。
[Abstract]:Since 0th century, more and more Chinese directors have brought Chinese films into the international film world. They use the lens and the image to push the splendid Chinese culture to the world. Director Ang Lee is one of them. Ang Lee shows his various understanding of the Chinese and Western culture with the angle of view of Chinese and Western integration and deep artistic creativity. The gender issue has always been one of the important dimensions of Ang Lee's film concern. This paper will take paternity, women and homosexuality as the starting point to see Lee's thinking on gender issues. The first and second chapters mainly focus on the theme of gender order, discuss the deconstruction and reconstruction of gender order. The traditional gender order is male-dominated, female attached. Patriarchal system is the core and foundation of the whole male order. This paper analyzes the deconstruction of the gender order under the center of male logos in Ang Lee's films, which is divided into three levels: questioning paternity and denying paternity. Subversion of patriarchal power. The second section puts the angle of view to the female who is dominant in the male order and explains how Ang Lee promotes the female status. There are three angles: the deep connotation of taking the female as the narration center; Emancipate the female body of "being seen"; Abandon the female consciousness of "other". The significance of resolution lies in change. So the second chapter focuses on the analysis of how Ang Lee reconstructs the new gender order after deconstructing the old order. The first part discusses Lee's adjustment of the gender temperament and gender roles of both sexes in the traditional order. The second section discusses the specific connotation of Ang Lee's construction of a new gender order in the film: gender equality. The third chapter takes homosexuality as the main analysis goal, and interprets the special words in the gender order. First, Ang Lee makes homosexuality and heterosexual as the metaphor of homogeneity. Set up the gender relationship that Yin and Yang complement each other, use heterosexual narrative mode, the homosexuality is desegregated. Secondly, through the multiple references to homosexual symbols. This paper analyzes the universal value of homosexuality as a way of human emotional appeal. The connotation of sexual order in Ang Lee's films is rich, in addition to the men and women in the traditional gender order, but also take care of the special order of homosexuality. Including the binary opposition between men and women, homosexuality and heterosexual opposition, in order to build a new gender order, in which the sex relationship is dependent and symbiotic. It is harmony and equality. Ang Lee expresses his yearning for and pursuit of good human nature.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】