“后电影”时代背景下儿童电影审美特征探析

发布时间：2018-02-06 00:36

本文关键词： 儿童电影 “后电影”时代想象力内容叙事审美价值　出处：《浙江大学》2014年硕士论文　论文类型：学位论文

【摘要】：电影自诞生之日起,就与儿童的关系密不可分。儿童既是电影的观众,又是电影的表现对象。然而,发展至今,纵观各国儿童电影的发展状况,产量少,市场化程度不高是一个普遍的现象。近年来,中国的儿童电影,虽然在产量上日益增加：然而电影的质量并未得到很大改观。与此相同,对于儿童电影的研究,与其他类型电影相比较,也呈现低迷状态。本文以20世纪90年代“后电影”时代的出现为研究背景,以中外优秀儿童电影为主要研究和论述对象,从儿童电影的想象力、内容、叙事和审美价值等四方面入手。其中第一章绪论部分,界定了论文中会涉及的概念,论述了目前相关研究状况及本文写作目的；第二章从空间、动作与道具设计三方面入手,探析了技术介入下儿童电影在想象力的表现上,呈现出的新特征；第三章从内容切入,论述了电影形象、题材和主题在新背景下的变化；第四章由叙述入手,点明儿童电影于时代关照下表现出来的独立品格和风格；第五章结重点论述了当下语境中,儿童电影对于儿童、成人的启发,对待技术的坚守和进取,以及自身带给人们的关于精神本源回归的一种思考。儿童电影,因其自身的特殊性,时常以一个备受争议的身份出现在人们的话语中。然而,应当看到,在这样一个数字技术横行的电影时代,儿童电影在内容上对于故事的强调,在电影语言上以传统影像兼顾现代技术的选择,都是现下视觉“大片”值得学习和借鉴的地方。在这个层面上,儿童电影不仅以其题材的特殊性为我们铺就了一条“反璞”的道路,也为电影艺术发展到今天提供了一个反思的平台。
[Abstract]:Film has been closely related to children since its birth. Children are not only the audience of films, but also the object of film. However, since the development, the development of children's films across the world, the production is low. The degree of marketization is not high is a common phenomenon. In recent years, China's children's films, although the output is increasing: but the quality of films has not been greatly improved. Similarly, the study of children's films. Compared with other types of films, it also presents a depressed state. This paper takes the emergence of "post-movie" era as the research background in 1990s, and focuses on the outstanding children's films in China and foreign countries as the main research and discussion object. It begins with the imagination, content, narrative and aesthetic value of children's films. In the first chapter, the introduction defines the concepts involved in the paper, and discusses the current research situation and the purpose of this paper. The second chapter starts with three aspects of space, action and props design, and analyzes the new characteristics of children's movies under the technical intervention in the performance of imagination; The third chapter discusses the changes of film image, theme and theme in the new background. Chapter 4th begins with narration and points out the independent character and style of children's films under the care of the times. Chapter 5th focuses on the current context, children's films for children, adults, the persistence and enterprising treatment of technology, as well as their own to people about the return of spiritual origin of a kind of thinking. Children's film. Because of its own particularity, it often appears in people's discourse as a controversial identity. However, it should be noted that in such a digital technology rampant film era. The emphasis of children's film on the content of the story and the choice of modern technology with traditional images in film language are all worthy of learning and learning from the visual "blockbuster" in this aspect. Children's film not only paves the way of "anti-uncut" for us with the particularity of its subject matter, but also provides a reflective platform for the development of film art today.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J901

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