当代法国电影资助政策研究

发布时间：2018-02-09 02:50

本文关键词： 法国电影资助政策文化测试成绩局限　出处：《西南大学》2017年硕士论文　论文类型：学位论文

【摘要】：纵观全球电影市场,美国好莱坞电影的霸主地位一经确立就从未被动摇,并且一直对各国电影工业的生存造成威胁。国家的介入在此背景下就显得尤为重要。就法国而言,政府以维护“文化多样性”为目标,以强硬的态度、坚定的立场保护着本国电影的发展。一整套特有的资助模式、相关机构以及干预手段被运用于电影发展的所有产业链阶段,从而创建了比大部分欧洲邻国相对优越的电影发展环境,使法国成为欧洲为数不多的本土电影占比逐年提高的国家,维持了法国本土电影的生产和发展。法国电影打破资本控制电影的桎梏,风格迥异的商业类型片和文化艺术片共同支撑着法国电影产业的发展,形成市场与艺术双管齐下的产业路线,得到世界电影观众的认可,政府的资助政策功不可没。并且,法国政府对于艺术电影的大力扶持,使法国电影坚守民族文化品格,一定程度上缓解了各国民族电影面对好莱坞的文化霸权所产生的文化焦虑,为世界电影文化的多样性做出巨大贡献。法国电影资助政策自1948年实施以来,历经几十年的完善,已日渐成熟。然而,资助政策在得到许多国家与地区的肯定与效仿的同时,也同样存在其局限性。日渐拔高的电影制作预算、纳税人的资金压力以及电影创作人才流失的挑战等都成为电影资助政策备受责难的原因。资助政策实施所产生的巨大影响,以及本身存在的现实争议,都使其具有重要的研究意义。论文试图通过梳理法国电影资助政策的发展脉络、厘清资助体系的呈现模式以及政策施行后取得的成绩与局限,探讨电影资助政策的具体状况。
[Abstract]:Throughout the global film market, the supremacy of Hollywood films in the United States has never been shaken once it has been established, and has always posed a threat to the survival of the national film industry. The involvement of the state is particularly important in this context. As far as France is concerned, The government aims to maintain "cultural diversity", with a strong attitude and a firm stand to protect the development of domestic films. A set of unique funding models, relevant institutions and interventions are used in all stages of the industry chain of film development. Thus creating a relatively superior film development environment than most of Europe's neighboring countries, making France one of the few countries in Europe in which the proportion of local films has increased year by year. The French film broke the shackles of the capital control film, and the development of the French film industry was supported by commercial films and cultural and artistic films of different styles. The formation of a two-pronged industrial line between the market and the arts was recognized by the world film audience and contributed to the government's subsidy policy. Moreover, the French government's strong support for art films made French films stick to their national cultural character. To some extent, it alleviates the cultural anxiety caused by the cultural hegemony of Hollywood in the national films of various countries, and makes a great contribution to the diversity of film culture in the world. Since the implementation of the French Film financing Policy in 1948, it has gone through decades of perfection. However, while many countries and regions have affirmed and emulated the funding policy, it also has its limitations. The financial pressure of taxpayers and the challenge of brain drain in film creation have all become the reasons for the criticism of the film funding policy. The huge impact of the implementation of the funding policy and the actual controversy existing in itself. This paper tries to sort out the development of the French film financing policy, clarify the present mode of the funding system and the achievements and limitations after the implementation of the policy, and discuss the specific situation of the film funding policy.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J943

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