《真爱》对《凝望上帝》的呼应与超越

发布时间：2018-02-09 16:27

  本文关键词： 《真爱》 《凝望上帝》 女性主体建构 后现代主义　出处：《电影文学》2017年20期 　论文类型：期刊论文

【摘要】：电影《真爱》和《凝望上帝》分别改编自美国黑人女性作家托妮·莫里森和佐拉·尼尔·赫斯顿的两部同名小说。它们均展现了女性主体建构、黑人民俗文化和黑人群体力量等主题元素。莫里森在继承前人赫斯顿的创作主题基础上,大胆运用后现代主义创作手法,如多人叙事、内心独白、意识流等。莫里森对赫斯顿的继承与发扬体现了黑人女性作家创作的一脉相承,这为美国黑人女性文学创作构建了谱系,同时也对黑人传统价值观的重塑起到了积极的推进作用。
[Abstract]:The film "True Love" and "looking at God" are adapted from two novels of the same name by American black women writers Tony Morrison and Zola Nell Heston, respectively. They both show the construction of female subjects. On the basis of inheriting Herston's creation theme, Morrison boldly used post-modernism creative techniques, such as multi-person narration, inner monologue, etc. Stream of consciousness and so on. Morrison's inheritance and development of Heston reflected the continuity of the creation of black female writers, which constructed a genealogy for the literary creation of black women in the United States. At the same time, it also played a positive role in the reconstruction of black traditional values.
【作者单位】： 吉林化工学院;
【基金】：2017年度吉林省教育厅“十三五”社会科学项目(项目编号:JJKH20170230SK)阶段性研究成果
【分类号】：J905
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本文编号：1498360