中国电视剧美学批评的生成和理论框架（1978-2000）

发布时间：2018-02-10 09:27

本文关键词： 电视剧美学批评理论发展　出处：《东北师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：改革开放以来我国的电视剧事业得到了突飞猛进的发展，我国的电视剧理论也伴随着电视剧创作的复苏发展起来。70年代末，在文艺创作刚刚复兴的年代，我国的电视剧美学批评还稍显薄弱，政治对文艺的影响的痕迹还清晰可见，而且在那一时期，我国的文化理论刚刚遭遇到了颠覆性的毁灭，想要在荒芜的土地上重新生根发芽，对于老一代理论家们来说是严峻的考验。但是在大家对电视剧艺术的不断探究下，在这一时期，电视剧的艺术地位得到了确立，在与其他艺术不断地纠缠与区分的过程中，电视剧艺术的美学特性得以独立出来。在电视剧美学批评生成的萌芽时期，电视剧的批评文章数量并不少，但是因为电视剧艺术是新兴的艺术种类，学者们对其基本特性还没有完全的把握，所以相关的批评文章少有美学的角度，更多的还是残留着政治的影子。到了90年代中期，批评家的队伍开始壮大起来。在国家政策的支持下，电视剧事业的发展速度也非常快，出现了多部优良的电视剧。同时，电视剧美学批评也开始得到了发展。在这一时期，学者们对电视剧本体美学的认识进一步深化，范围也进一步拓宽，开始出现了专业的电视剧批评，在这些专业的批评当中含有美学角度的批评便是日后美学批评理论框架的萌芽。 90年代末到新世纪伊始的这一段时期，电视剧艺术已经完全被大众所认同与接受，，而电视剧理论也已经发展成熟，出现了百家争鸣的景象。于是在这一时期，美学批评的各个角度基本都已成熟，批评家们会根据自己的知识理论构建形态选择自己的维度进行非常专业的美学批评。在这些批评文章当中，笔者根据对我国电视剧美学批评这三个时期的了解，总结出了我国电视剧美学批评的理论框架。
[Abstract]:Since the reform and opening up, the cause of TV series in China has been developing by leaps and bounds. The theory of TV plays in our country has also developed with the revival of the creation of TV dramas in the late 1970s, in the era when literary and artistic creation was just reviving. The aesthetic criticism of TV dramas in our country is still slightly weak, and the influence of politics on literature and art is still clearly visible. Moreover, in that period, our cultural theory has just encountered subversive destruction and wants to take root again in the desolate land. It is a severe test for the older generation of theorists. But with the constant exploration of TV drama art, during this period, the artistic status of TV drama has been established, and in the process of constantly entangling and distinguishing with other arts, The aesthetic characteristics of TV drama art can be independent. In the embryonic period of drama aesthetic criticism, the number of TV drama criticism articles is not small, but because TV drama art is a new kind of art, Scholars do not have a complete grasp of its basic characteristics, so there is little aesthetic point of view in the relevant criticism articles, more remains the shadow of politics. In the middle of 90s, the ranks of critics began to grow. With the support of national policies, the cause of TV series also developed very quickly, and many excellent TV dramas appeared. At the same time, The aesthetic criticism of TV plays has also begun to develop. During this period, scholars deepened their understanding of the aesthetics of TV series and broadened their scope, and began to see professional criticism of TV dramas. The aesthetic criticism in these professional criticism is the germination of the theoretical framework of aesthetic criticism in the future. In the period from the end of 90s to the beginning of the new century, the art of TV plays has been fully recognized and accepted by the public, and the theory of TV plays has also developed and matured. Each angle of aesthetic criticism is basically mature, and critics will choose their own dimension according to their knowledge theory to carry out very professional aesthetic criticism. Based on the understanding of the three periods of Chinese TV drama aesthetic criticism, the author summarizes the theoretical framework of Chinese TV drama aesthetic criticism.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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