蔡明亮电影的叙事艺术研究

发布时间：2018-02-15 12:11

本文关键词： 蔡明亮叙事艺术台湾电影　出处：《贵州师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：20世纪90年代的台湾影坛,蔡明亮是最受瞩目的导演之一,也是成就卓著的导演之一。迄今为止,蔡明亮已经拍摄11部电影长片,其独特的电影语言和电影风格不仅丰富了华语电影的形态,也同时为华语电影走向世界做出了贡献。蔡明亮一向坚持个人化创作,他拍摄手法独特,主题统一,这使他成为当代台湾电影界乃至世界影坛最具个性风格的电影作者之一。他的电影往往表现了台湾当代社会中人际关系的疏离、社会环境的变革、家庭伦理的削弱等议题。本文从电影本体出发,分析研究蔡明亮电影的叙事艺术。第一章研究蔡明亮电影的叙事内容。将蔡明亮的11部电影的叙事内容进行分析、归纳,总结出其电影的叙事内容特点:人物的边缘化生存,异化的都市与失落的家园,向经典电影和歌舞艺术致敬。第二章研究蔡明亮电影的叙事手法。通过分析蔡明亮电影中的相关场景和情节,总结出其电影中所体现的时间、空间特点和特殊的剧作结构特点。第三章研究蔡明亮电影的叙事风格。从电影视听语言角度出发,通过对电影中无所不在的长镜头,简单的对白,和具有强烈真实感的光线等方面分析,体现蔡明亮电影视听语言的自然主义美学风格,并阐述其电影风格产生的原因。蔡明亮关注都市人的生活状态,总是以不同寻常的角度展现都市人孤独、无助、绝望的生活状态,这也使他的影片备受争议。局限性的题材、阴暗悲观的基调,相对浓厚的批判意识,让一般的观众对蔡明亮的电影望而却步。
[Abstract]:In 1990s, Tsai was one of the most high-profile directors and one of the most successful directors in Taiwan. So far, Tsai has made 11 feature films. His unique film language and style not only enriched the form of Chinese-language films, but also contributed to the development of Chinese-language films into the world. This has made him one of the most individualized film writers in the contemporary Taiwan film world and even in the world. His films often show the alienation of interpersonal relations and the transformation of the social environment in Taiwan's contemporary society. This paper analyzes the narrative art of Cai Liang's films from the perspective of film Noumenon. The first chapter studies the narrative content of Cai's films. The narrative contents of Cai's 11 films are analyzed and summarized. Summing up the narrative features of his film: the marginalized survival of the characters, the alienation of the city and the lost home, The second chapter studies the narrative techniques of Cai Liang's films. By analyzing the relevant scenes and plots in Cai's films, the author sums up the time embodied in his films. The third chapter studies the narrative style of Cai Liang's films. From the perspective of audio-visual language, the author makes a brief dialogue on the omnipresent long scenes in the films. The naturalistic aesthetic style of Cai Liang's audiovisual language and the reasons for the emergence of his film style are illustrated by the analysis of light with a strong sense of reality. Cai Mingliang is concerned about the living conditions of urban people. He always shows the city man's lonely, helpless and desperate life in an unusual way, which also makes his films controversial. Limited themes, dark and pessimistic tone, relatively strong critical consciousness, So that the general audience to Cai Mingliang's film deterred.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905

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