杨家将故事的核心文化内涵与影像化呈现

发布时间：2018-02-16 03:52

本文关键词： 杨家将穆桂英影视剧作影像化话本巾帼不让须眉文学人物家国潘仁美核心文化　出处：《电影评介》2017年18期 　论文类型：期刊论文

【摘要】：正从历史进入话本,再从话本进入演义、小说,杨家将的形象实现了从历史人物到文学人物的跨越。而经过历代文人的不断描写与演绎,杨家将已然成为"忠孝仁义"的代名词,无论是忠君爱国的杨业还是继承夫志的佘太君,无论是骁勇善战的杨宗保还是巾帼不让须眉的穆桂英,他们皆演化为一种符号,成为家国情怀的化身。影视剧作为文化传播的重要载体之一,将严肃的教化功能置于令人愉悦的故事呈现中,让观众明白何为忠孝仁义,何为家国大义。
[Abstract]:Is moving from history to storybook, then from discourse to romance, novels, Yang Jiagang's image has achieved a leap from historical figures to literary figures. And through the successive generations of literati's continuous description and deduction, Yang's family has become a synonym for "loyalty, filial piety, benevolence and righteousness." whether it is the patriotic Yang Ye or she Taijun, who inherits his husband's ideals, whether he is a valiant Yang Zongbao or Mui Kui-ying, who is not allowed to let go of his brow, they have all evolved into a symbol. As one of the important carriers of cultural communication, film and television drama puts the serious function of education in the delightful story presentation, so that the audience can understand what is loyalty, filial piety, benevolence and righteousness, and what is the meaning of home and country.
【作者单位】：石河子大学马克思主义学院;
【分类号】：J905

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