“年代剧”的艺术特征研究

发布时间：2018-02-16 09:28

本文关键词： 年代剧类型化艺术特征　出处：《重庆大学》2013年硕士论文　论文类型：学位论文

【摘要】：自第一部电视剧作品《一口菜饼子》1958年播出至今，电视剧这一艺术样式在中国已经经历了半个世纪的历程，在这半个世纪的历程中电视剧已经深入到了人们的生活之中，成为人们生活中不可或缺的娱乐模式。在电视剧这一艺术类别大发展的形势之下《闯关东》、《走西口》、《人间正道是沧桑》等电视剧在荧屏上的走红，在业内催生了“年代剧”这样一个电视剧的类型的新名词。“年代剧”作为一个新的电视剧题材是关乎历史、关乎个体在时代背景下的宏大叙事。这类电视剧集不断地被生产出来，凝聚成电视剧创作中一股不可忽视的潮流。中国内地出品的年代剧中所体现的文化内涵、美学意蕴及其独特的叙事特色都是值得我们予以重视的。就目前对电视剧类型的划分来看往往仅依靠故事大纲来分类，或者是从故事的浅层来进行考察和分析了，这对于电视剧的类型化研究会带来一定的障碍。对于电视剧的类型化研究应该从思想意蕴、文化内涵、艺术技巧、美学风格等多层面进行研究和分析，因此，正是在这个意义上，，“年代剧”作为一个重要的类型进行分析具有重要的意义。本文提出的一个重要的的研究问题是：“年代剧作为一种类型剧进行划分和研究的可行性。”的问题。本文对“年代剧”的艺术特征进行了深入的分析，以期在纷繁复杂的艺术现象中找到“年代剧”独特的艺术规律。本文主要从文化背景、叙事美学特征、人物形象塑造这三个方面对“年代剧”的艺术特征进行了阐述。第二章文化背景及其内涵主要论述了“年代剧”的乡土特色、史诗品格和悲剧意蕴，乡土特色中运用了费孝通先生的《乡土中国》中的差序格局以及血缘与地缘学说的理论；史诗品格主要是从“年代剧”的内容入手，对作品中所表述的民族史、家族史和个人的奋斗史进行了梳理和归纳；悲剧意蕴从作品的美学内涵出发，阐述“年代剧”独特的时代背景之下时代命运和人物命运。第三章叙事美学特征主要从“年代剧”的叙事结构和叙事话语两方面对叙事特征进行了论述。在叙事结构的论述探讨了叙事时间、空间和叙事视点的关系；在叙事话语的探讨中主要探讨的是叙事策略的问题。第四章人物形象塑造一章中从男性形象和女性形象两个方面进行的分析，系统的论述了在“年代剧”中占主导地位的男性形象和居于从属地位的女性形象。本文的创新点主要有一下几点：一是，在电视剧类型化研究领域首次提出了“年代剧”这一类型。随着《大宅门》、《闯关东》等电视剧热播，“年代剧”这一提法在业界流传开来，学术界也对“年代剧”进行了界定和研究，但是，研究“年代剧”的著述的也较为笼统；二是本文首次将“一般现实逻辑”这一概念引入到了“年代剧”的创作规律的研究之中，提出了作为艺术作品存在的“年代剧”在创作过程中必须遵循一定的艺术规律。即“年代剧”这一真实影像系统之中的影视作品它的创作必须是一个在一般现实逻辑上真实的和有意义的；三本文首次对“年代剧”这一类型剧的艺术特征进行了深入的研究，找出了其独特的艺术特征。
[Abstract]:Since the first TV series "a vegetable cake >1958 has aired, the drama of a style of art has experienced a history of half a century in China, in the course of half a century in the TV drama has gone deep into people's life, become an indispensable entertainment mode in people's lives. In" the drama of a big art development situation of northeast "," Zou Xikou >, < > human right is the vicissitudes of life such as drama on the screen is popular in the industry gave birth to the new term in such a type of drama drama. "In the drama" as a new TV series the theme is about history, related to the individual in the background of the grand narrative. This kind of TV series has been produced, become an inevitable trend in the creation of TV series. China produced in the mainland of the cultural connotation, aesthetic The implication and unique narrative features are worthy of our attention. The division of the types of TV play is often only rely on the synopsis to classification, or from the shallow story to investigation and analysis, to study the type of drama will bring a certain type of research for obstacles. The TV should be from the ideological implication and cultural connotation, artistic skills, aesthetic style and other aspects of research and analysis, therefore, it is in this sense, "it is important to analyze in the drama" as an important type. This is an important research topic is: "as a type of drama division and the feasibility of the research. In the drama".
The artistic features of "historical drama" in-depth analysis, in order to find the laws of art in the drama "the unique art phenomenon in the complex. This article mainly from the cultural background, narrative aesthetic features, characters and art characteristics of" historical drama "this three aspects. Second the chapter mainly discusses the cultural background and connotation of" historical drama "local characteristic, character of epic and tragedy implication, local characteristics used in Mr. Fei Xiaotong's native Chinese < > in the pattern of difference sequence and the blood and geopolitical theory; history of poetry lattice is started from the" historical drama "content of expression in the works of national history, family history and personal history were sorted and summarized; the tragic implication from esthetics view, elaborated under the background of era drama" unique time and fate The fate of the characters. The third chapter narrative aesthetic features mainly from the two aspects of the narrative structure and narrative discourse in the drama "the narrative features of the study are discussed. In the narrative structure discusses the relationship between space and narrative time, narrative point of view; in the discussion of narrative discourse is focused on the narrative strategies. The fourth chapter shape the analysis of characters from the two aspects of male images and female images in the chapter of the system, discusses the dominant male images in" historical drama "and the subordinate female image.
The main innovations of this paper include the following points: first, in the TV series type research field was put forward for the first time in this type of drama. With Dazhaimen < >, < >, braving the hit TV series, "the drama" was spread in the industry, academia also in "drama" was defined and studied, but the research works in the drama "is also more general; two is for the first time the concept of" general realistic logic "into" the creation of rules in the drama ", has been proposed as a work of art" in the drama "must follow the laws of art some in the creative process." in the drama "the real imaging systems of the film and television works its creation must be a true reality in general logical and meaningful; three for the first time" in this type of drama drama art The characteristics of the operation are studied in depth, and their unique artistic features are found.

【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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