改革开放以来电影中女性拯救形象的研究

发布时间：2018-02-16 18:56

本文关键词： 女性电影女性主义女性意识女性拯救形象　出处：《云南师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：朗索瓦·特吕弗曾说过:“电影是女性的艺术。”纵观国内外电影中的女性形象,皆以不同的姿态呈现在大银幕上,她们对电影的发展起到推动作用,并在电影史上占有重要的位置。改革开放以来,国家政策有所变动,社会格局也随之变迁,这对中国女性的生存与发展起到关键的作用。不同于传统文化中“男尊女卑”的旧思想,一大批优秀的女性形象映入观众的眼帘。她们受西方女性主义的影响,逐渐摆脱父权制度下的妻母形象,在女性意识的觉醒中下开启新的模式,更以拯救者的姿态出现,对陷入困境中的男性进行救赎,或是通过争夺女性话语权,追求自己的人生价值,完成自我救赎。本论文即从电影创作者的文本中分析女性拯救形象蕴藏的意义,以不同时代下女性拯救形象的类型为基础,揭示女性意识构建的过程,最后对女性拯救形象陷入的困境提出相应策略,并做出深刻的反思。本文共分六个部分。第一部分为绪论,在文献综述的基础上,对论文的研究缘起以及论文的研究理论和研究方法进行阐述。第二部分对改革开放以来,不同视野下的女性拯救形象进行分析,主要从男性导演与女性导演视角出发,梳理作品中不同女性拯救形象所处的位置。从这部分可以看出男性导演作品中总是以男性的性别观念和文化意识进行叙事,而女性导演则不断地挖掘女性形象的主体意识。第三部分从同性恋题材电影中分析不同的女性拯救形象。从中可以发现,女同性恋电影中的女性拯救形象更加突出女性意识的觉醒,而男同性恋影片中的女性拯救形象则在异化中寻求突围。第四部分为国内外女性拯救形象的对比,通过对国内外女性拯救形象模式的梳理,进一步分析她们形成的不同语境。第五部分为女性拯救形象的反思。最后一部分是结语,总结了研究的意义,继而对中国女性电影的走向做出展望。总体而言,本论文能够将文本与理论相结合,较为全面的概括了改革开放以来电影中女性拯救形象。
[Abstract]:Longsova Truff once said, "Film is the art of women." looking at the images of women in films both at home and abroad, they were presented on the big screen in different postures, and they played a role in promoting the development of the film. And occupies an important position in the history of film. Since the reform and opening up, the state policy has changed, and the social pattern has also changed. This plays a key role in the survival and development of Chinese women. Different from the old idea of "male superiority" in traditional culture, a large number of outstanding female images come into the eyes of the audience. They are influenced by Western feminism. Gradually getting rid of the image of wife and mother under the patriarchal system, opening a new pattern in the awakening of female consciousness, appearing as a savior, redeeming the men in trouble, or fighting for the female voice. This paper analyzes the significance of the image of female salvation from the text of the film creators, and reveals the process of the construction of female consciousness based on the types of the images of female salvation in different times. Finally, the paper puts forward the corresponding strategies to the plight of the female rescue image, and makes a profound reflection. This paper is divided into six parts. The first part is the introduction, based on the literature review, The second part analyzes the image of female salvation from different perspectives, mainly from the perspective of male directors and female directors. From this part we can see that the male director's works always use the male gender concept and cultural consciousness to narrate. In the third part, the author analyzes the different images of women in gay movies. The image of female salvation in lesbian films is more prominent in the awakening of female consciousness, while the image of female salvation in gay films seeks to break through in alienation. Part 4th is a comparison of domestic and foreign images of female salvation. Through combing the domestic and foreign female rescue image model, the author further analyzes the different context of their formation. 5th part is the reflection of the female rescue image. The last part is the conclusion, which summarizes the significance of the research. In general, this paper can combine the text with the theory, and generalize the image of female salvation in the film since the reform and opening up.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J909.2

【相似文献】