宫斗剧现状与困境研究

发布时间：2018-02-16 21:51

本文关键词： 宫斗剧女性历史剧权谋文化　出处：《辽宁大学》2014年硕士论文　论文类型：学位论文

【摘要】：近年来宫斗题材电视剧在我国电视荧屏扎堆亮相，在掀起收视波澜的同时在社会上引起了广泛关注和争议。肇始于2004年的港剧《金枝欲孽》被视为宫斗剧创作的先河，但在当时并未引发宫斗题材电视剧市场的连锁效应。沉寂数年后，《宫心计》、《万凰之王》等港剧的热播重新将宫斗题材电视剧拉回大众视野。受此影响，内地宫斗剧如火如荼的发展则始于2010年的《美人心计》。此后融合了穿越元素的《宫锁心玉》、《步步惊心》轮番接力，电视荧屏刮起了“宫斗风”。2012年《甄[传》的强势热播将宫斗剧推向了巅峰，宫斗剧一时成为文娱界的热点话题。由于宫斗剧一个时期内井喷式的涌现，宫斗剧创作无论在人物设置、故事背景、还是戏剧冲突等要素都形成了可以批量化生产的固定套路，宫斗剧类型化创作走向成熟。模式化创作的同时宫斗剧出现了互相抄袭、跟风模仿的同质化现象，，逐渐陷入了机械复制的泥潭。创作层面的缺乏新意使宫斗剧面临类型化的瓶颈，而自身文化内涵和人文品格的缺失则招致众多专家学者的批判。随着广电总局下达的对宫斗题材电视剧播出和立项的一纸禁令，宫斗剧开始走向低谷。走向低谷后的宫斗剧仍有少数剧目活跃在电视荧屏，但无论其收视效应还是关注度较之前的《甄[传》都相去甚远。宫斗剧的大热引起了广泛的社会效应，褒奖与挞伐之声不绝于耳。宫斗剧最为人所诟病的是其对权谋文化的大肆渲染和展示，原本在以往历史剧中展现帝王统治之术和官场斡旋运作的权谋政治在宫斗剧中演变为女人争宠上位的筹码，对权谋的叙说变为更加女性化的“细针密缝”。在勾心斗角、尔虞我诈的权谋较量中，女性沦陷为利益斗争的政治工具，丧失了生命的主体性。在无限放大的权谋斗争中，人性被异化和扭曲，人性“恶”的一面被反复呈现。不仅如此，宫斗剧文化内涵的缺失，对历史真实与艺术真实创作原则的把握缺乏对历史的敬畏感，常识性的历史错误频现。凡此种种都值得对宫斗剧的热播及其文化失衡的表现作深入研究。本文从整体上把握和梳理宫斗剧的发展脉络，分析其类型化的特征，并从宫斗剧模式化的创作以及宫斗剧文化失衡的表现分析宫斗剧面临的困境，尝试寻求宫斗剧继续发展的突破之路。
[Abstract]:In recent years, Miyagou TV series have appeared on the TV screens of our country, and caused widespread concern and controversy in the society while raising the viewing waves. The Hong Kong drama "Golden Branch desire", which began in 2004, is regarded as the first creation of the palace fighting drama. However, at that time, it did not trigger the chain effect of the market for the palace duel TV series. After a few years of silence, the popularity of Hong Kong dramas, such as "Miyagi" and "the King of 10,000 Huang", redrew the palace dust-themed TV series back into the public's field of view, and was affected by this. The development of the palace fighting drama in the interior began in 2010 with the Beauty's mind. Since then, it has fused the elements of "Palace lock heart jade", and "step by step thrilling heart" turns the relay. In 2012, the strong broadcast of "Zhen (Zhuan)" pushed the palace play to its peak, and it became a hot topic in the cultural world. As a result of the blowout emergence of Miyagou dramas during a period of time, the creation of Miyongdou dramas, whether in character setting, story setting, or dramatic conflict, has formed a fixed pattern that can be produced in batches. At the same time, there is a homogeneity phenomenon of copying and imitating each other. Gradually fell into the quagmire of mechanical reproduction. The lack of creative ideas made the palace play facing the bottleneck of typology. However, the lack of their own cultural connotations and humanistic character has drawn criticism from many experts and scholars. With the ban issued by the State Administration of Radio, Film and Television on the broadcasting and establishment of TV dramas on the theme of Gong Dou, There are still a few plays active on the TV screen, but the viewing effect and the attention are far different. The popularity of Miyagou drama has caused a wide range of social effects, and praise and criticism are endless. What is most criticized is its wanton exaggeration and display of conspiracy culture. In the previous historical dramas, the politics of power, which had shown the art of imperial rule and the operation of official mediation, evolved into a bargaining chip for women in the palace duel, and the narrative of power became a more feminine "fine needle." In the contending of conspiracy, women fall into the political tool of interest struggle and lose the subjectivity of life. In the limitless power struggle, human nature is alienated and distorted, and the "evil" side of human nature is repeatedly presented. The lack of cultural connotation of Gong Dou Opera, the lack of a sense of reverence to history, and the grasp of the principles of historical truth and artistic truth, Common sense of historical mistakes are frequent. All of these are worthy of in-depth study on the popularity of Gong Dou Opera and its cultural imbalance. In this paper, the author grasps and combs the development context of the palace play, analyzes the characteristics of its type, and analyzes the predicament that the palace fighting drama is facing from the perspective of its stylized creation and the expression of the cultural imbalance of the palace fighting drama. Try to find a breakthrough road for the continued development of palace fighting drama.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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