中外（美、日）动画风格比较研究

发布时间：2018-02-17 01:49

本文关键词： 风格传统继承内涵创新　出处：《河北大学》2014年硕士论文　论文类型：学位论文

【摘要】：在动画的王国当中，由于其地域文化以及审美习惯等因素的影响，各个国家逐渐形成了各自不同的动画艺术风格。这些艺术风格各有各的特色，我们可以探讨它艺术水平的高低，但不能简单的用“好”或者是“坏”来评价它们。因为每一种风格都有自己独特的艺术风味和魅力。笔者要说的是，动画作为一种精神娱乐的消费品，的确有受市场追捧和受市场冷落的区分。而且刨去小众试验动画不讲，对于绝大多数的动画片来说，，市场决定着动画的成功与否以及动画公司的生存发展。所以说，如何将艺术创作者的审美与大众审美有机的结合，创作出艺术性较高，娱乐性和可视性较强，符合广大观众欣赏口味的动画是每一个动画工作者都必须思考的问题。本文通过分析将这两方面结合的非常好，拥有广泛的观众群和强大的市场占有率的美国动画和日本动画的风格，并将其与中国本土动画风格进行细致比较，探寻其受大众喜爱的奥秘，寻找我国动画不能赢得广泛观众喜爱的原因。本文先由中国动画的艺术风格及其发展过程谈起，详细介绍了中国动画最引以为傲的艺术风格特征，并从取材寓意、表现形式、表现手法等方面与美国和日本动画进行了系统比较。在比较过程中，笔者对于强势的美、日动画并没有一味追捧，对于发展欠佳的中国动画也没有一味的否定。而是站在公正的立场上，以冷静的眼光观察分析，得出较为客观的结论。笔者认为，加深剧本的深度和内涵，注重动画与中国传统艺术的结合，重视动画的娱乐性，才能拍出大众爱看的动画。让中国动画真正发展壮大起来是我们每个中国动画人的共同心愿，我们愿为这一天的到来付出更多的努力。
[Abstract]:In the kingdom of animation, due to the influence of its regional culture and aesthetic habits, various countries have gradually formed their own different artistic styles of animation. These artistic styles have their own characteristics. We can discuss its artistic level, but we can't simply use "good" or "bad" to judge them, because each style has its own unique artistic flavor and charm. Animation, as a kind of consumer goods for spiritual entertainment, does have the distinction of being sought after by the market and neglected by the market. The market determines the success of animation and the survival and development of animation companies. Animation that conforms to the taste of the general audience is a problem that every animator must think about. This paper combines these two aspects very well through analysis. With a wide audience and a strong market share of the American animation and Japanese animation style, and compare it with the Chinese native animation style in detail, to explore its popular favorite mystery, This article begins with the artistic style and its development process of Chinese animation, introduces in detail the most proud artistic style characteristics of Chinese animation, and from the material moral, the form of expression. In the process of comparison, the author has not blindly sought after the strong American and Japanese animation. For the poor development of Chinese animation is not blindly denied, but in a fair position, with a calm eye observation and analysis, draw a more objective conclusion. I think, deepen the depth and content of the script, Only by focusing on the combination of animation and traditional Chinese art, and by attaching importance to the entertainment of animation, can we produce animations that the masses love to see. It is the common wish of every Chinese animator to truly develop and strengthen Chinese animation. We are willing to make more efforts for the coming of this day.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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