园景剪辑—园景经营与电影剪辑的类比研究及其在郧阳博物馆中的应用

发布时间：2018-02-20 20:59

本文关键词： 中国古典园林园景园景剪辑电影剪辑叙事　出处：《北京建筑大学》2014年硕士论文　论文类型：学位论文

【摘要】：园林是如画的园林,园林体验过程是不断追求如画的园景在眼前展开的过程,园景空间的呈现是以人为中心的视觉传达给心理的体验。因此,本文采用以人的视觉体验为中心借用电影剪辑的手法和逻辑,分析中国古典园林经营景观空间和时间的方法和结构。本文摒弃传统以物质要素差异性分类为出发点的园林空间研究,将园林按照空间、界面和体验者的组成方式对园景空间进行分类,分析远景经营的空间形态和文化思想导则。并将上述分类方式下的园景空间作为剪辑的对象和基础,借用电影剪辑的逻辑在文章的主体部分析园景经营中空间以二维图像组合的模式塑造的时空形态。园景空间的叙事作为园景剪辑的最终任务,本文的最后结合电影剪辑产生的叙事效果,分析单组园景剪辑的叙事结果及其在园林整体叙事中对意境营造的作用。
[Abstract]:Garden is a picturesque garden, the garden experience process is the continuous pursuit of picturesque garden landscape in front of the process, the landscape space is a human-centered visual communication to the psychological experience. This paper analyzes the method and structure of the management of landscape space and time in Chinese classical gardens by using the technique and logic of film editing centered on human visual experience. This paper abandons the traditional garden space research which starts with the material element difference classification, classifies the garden landscape space according to the space, the interface and the experience person's composition way. Analysis of the spatial form and cultural guidelines for the management of the vision. The landscape space under the above classification is taken as the object and basis of the editing. The logic of film editing is used to analyze the spatiotemporal shape of the space created by two-dimensional image combination in the main part of the article. The narrative of the landscape space is the final task of the landscape editing. At the end of this paper, the narrative results of single group landscape editing and its effect on artistic conception construction in the whole garden narrative are analyzed in combination with the narrative effect of film editing.
【学位授予单位】：北京建筑大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J932;TU986;TU242.5

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