新世纪以来的中国“流浪汉电影”研究

发布时间：2018-02-21 18:50

本文关键词： “流浪汉电影” 归家游走救赎　出处：《南京师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：“流浪汉电影”是一个全新的概念,在21世纪以前已经存在带有“流浪汉”特征的影片,进入新世纪以后,中国“流浪汉电影”渐成气候,并且形成了一些共有的艺术特质。2001年的《走到底》是“流浪汉电影”的萌芽,在接下来十几年时间里,此类电影的创作日渐丰富,不管是从题材、创作手法,还是主题、人物等方面都显得精彩纷呈。文章的第一章为“流浪汉电影”的概述,阐释了什么是“流浪汉电影”和此类电影的生成语境。第二章论述了“流浪汉电影”的主题,分析了向具形之家和精神家园的回归,“在路上”的流浪情结,对中国传统文化中庸之道的坚守,以及逼视和反思中国社会的现实这四点内容。第三章主要分析了“流浪汉电影”中的人物形象,论述了流浪的个体和游走的群像,自我救赎者和被救赎者。最后一章主要围绕叙事特征论述了“路上流浪”的叙事模式,喜剧性和悲剧性交织的叙事手法,以及组合式和开放式结合的叙事风格。
[Abstract]:"Tramp Film" is a new concept. Before 21th century, there were films with the characteristics of "Tramp". After entering the new century, Chinese "Tramp Film" gradually became a trend. And formed some common artistic characteristics. In 2001, "go to the end" was the seed of "Tramp Film." in the next decade or so, the creation of such films became increasingly abundant, whether from the subject matter, the creative technique, or the theme. People and other aspects appear brilliant. The first chapter is an overview of "Tramp Film", which explains what is "Tramp Film" and the context in which this kind of film is generated. Chapter two deals with the theme of "Tramp Film". This paper analyzes the return to the shape of the family and the spiritual home, the vagrancy complex of "on the road", and the adherence to the middle way of Chinese traditional culture. The third chapter mainly analyzes the characters in "Tramp movies", and discusses the wandering individuals and wandering groups. The last chapter mainly discusses the narrative mode of "wandering on the Road", the narrative techniques of comedy and tragedy, and the narrative style of combination and open combination around the narrative characteristics of self-redeemer and redeemer.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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