“抬头望见北斗星”—冯小刚电影与王朔创作关系研究

发布时间：2018-02-22 17:48

本文关键词： 电影文学冯小刚王朔　出处：《西南大学》2014年硕士论文　论文类型：学位论文

【摘要】：本文以冯小刚的电影和王朔的文学创作为研究对象,论述了冯小刚电影在风格的形成、人物形象的设定、创作思想的转变三方面与王朔创作的关系,力图从冯小刚与王朔二人的合作来探寻电影与文学的实质性联系,为中国电影人创作优秀的电影作品提供借鉴。本文分为引言、正文和结语三个部分,正文部分分为三章。引言部分首先对电影与文学的关系进行了分析和探讨,主要包括两个层面：一是文学在电影中起着“灵魂”的作用；二是在中国电影的发展历程中,有诸多优秀的电影作品都是根据文学作品改编而来的。其次,该部分对中国电影的现状进行了分析,指出其发展中出现的问题。最后,文章指出了冯小刚能够取得观众和业界的认可,与他注重剧本的创作以及与当代作家的合作是分不开的,尤其是他和王朔的合作在中国电影发展中更具有象征意义。正文第一章主要对王朔作品风格与冯小刚电影风格的形成进行了论述。首先该部分分析了王朔文学作品中的主要风格及形成原因；其次介绍了冯小刚电影风格的形成对王朔作品的顺承和转变,主要包括：一是冯小刚电影对王朔“调侃幽默”风格的顺承,将“捧人”、“讽刺”两种手法运用在电影中；二是冯小刚电影对王朔作品中“纠结压抑”风格进行了选择性吸收。正文第二章主要对王朔作品“顽主”形象与冯小刚电影“北京爷”形象进行了探讨。首先该部分介绍了王朔文学作品中“顽主”形象的特点；其次分析了冯小刚电影中“北京爷”的性格特质和成因,并探讨了从“顽主”到“北京爷”形象发展的特点及异同。正文第三章主要对王朔的创作思想与冯小刚电影创作思想进行了分析。该部分首先介绍了王朔作品的创作思想和价值观念；其次对冯小刚电影的创作思想和价值观念进行了分析,同时辨析了冯小刚和王朔在创作思想上的异同,指出了冯小刚电影具有“平民性”和“传奇性”的特点。结语部分总结归纳了论文的主要内容,进一步指出冯小刚与王朔合作的重要意义,并提出冯小刚与“大师情结”的探索性话题。本文对冯小刚与王朔合作的特点和历程进行分析和探讨,也是对文学元素在电影中的作用和意义的一种解析性探索。
[Abstract]:This paper takes Feng Xiaogang's film and Wang Shuo's literary creation as the research object, and discusses the relationship between the style formation, the character image setting, the creation thought change and Feng Xiaogang's creation. This paper tries to explore the substantive connection between film and literature from the cooperation of Feng Xiaogang and Wang Shuo, and to provide reference for Chinese filmmakers to create excellent film works. This paper is divided into three parts: introduction, text and conclusion, and the text is divided into three chapters. The introduction first analyzes and discusses the relationship between film and literature, including two levels: first, literature plays a "soul" role in film; second, in the development of Chinese film, Many excellent film works are adapted from literary works. Secondly, this part analyzes the current situation of Chinese films and points out the problems in their development. The article points out that Feng Xiaogang can gain the approval of audience and industry, which is inseparable from his attention to the creation of plays and cooperation with contemporary writers, especially his cooperation with Wang Shuo in the development of Chinese films. The first chapter mainly discusses the formation of Wang Shuo's works style and Feng Xiaogang's film style. Firstly, this part analyzes the main style and the reasons for the formation of Wang Shuo's literary works. Secondly, the paper introduces the formation of Feng Xiaogang's film style and its transformation to Wang Shuo's works, mainly including: first, the following two methods are used in the film: the first is the smooth acceptance of the style of "ridicule and humor" of Feng Xiaogang in the film, and the other is the application of "holding people" and "satire" in the film; Second, Feng Xiaogang's film selectively absorbs the style of entanglement and repression in Wang Shuo's works. The second chapter mainly discusses the image of Wang Shuo's works "obstinate owner" and Feng Xiaogang's film "Beijing Ye". Firstly, this part introduces the characteristics of the image of "obstinate subject" in Wang Shuo's literary works. Secondly, it analyzes the characters and causes of Feng Xiaogang's "Beijing Ye", and probes into the characteristics and similarities and differences of the image development from "stubborn Master" to "Beijing Ye". The third chapter mainly analyzes Wang Shuo's creative thought and Feng Xiaogang's film creation thought. Secondly, the author analyzes Feng Xiaogang's creative thoughts and values, and points out the similarities and differences between Feng Xiaogang and Wang Shuo in their creative thoughts, and points out the characteristics of "populace" and "legend" in the films. The conclusion summarizes the main contents of the paper and further points out the significance of the cooperation between Feng Xiaogang and Wang Shuo. This paper analyzes and discusses the characteristics and the course of the cooperation between Feng Xiaogang and Wang Shuo, and it is also an analytical exploration of the role and significance of literary elements in the film.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I206.7;J905

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