从文字到影像：张爱玲小说的电影改编研究

发布时间：2018-02-23 02:04

本文关键词： 张爱玲小说电影改编　出处：《贵州师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：近些年，张爱玲的一些优秀文学作品被不断的搬上银幕，以一种全新的姿态向世人展示其新的生命力。本论文以张爱玲五部小说的电影改编为例，即《倾城之恋》、《怨女》、《红玫瑰与白玫瑰》、《半生缘》、《色，戒》，从人物形象的重新塑造、影像画面的多义性、主题的重新定位这三个角度出发，分析小说在电影改编过程中产生的新美学效果，，并对文字向影像转变过程中出现的风格差异做深入的探讨。本论文分为四章：第一章通过对张爱玲小说与电影之间关系的详细叙述，揭示出张爱玲小说中故事的传奇性、鲜明的画面感、电影手法的妙用等电影特质，并指出张爱玲小说独特语言风格的难以影像化；第二章对五部小说中主要人物在改编影片中的形象进行重新审视，解析改编影片对小说中人物形象做不同程度改变的原因，并总结人物形象变动为改编影片带来的得与失；第三章以电影《红玫瑰与白玫瑰》、《半生缘》和《色·戒》为例，深入剖析小说中特殊意象的内蕴在影片中的扩大和填充，挖掘出其丰富影片画面意象多义性的作用，同时传达出电影通过增添相关意象达到升华小说主题目的；第四章是关于小说改编成电影后的主题变动研究，五部改编影片根据变动的主题分为爱情主题和人文关怀主题两类。继而再分析主题变动的主要因素在于导演个人风格的融入，并且对电影主题做出新的定位。结语部分回到电影与文学的互动关系上，指出由于阐释方式的不同，改编影片或多或少的消解了原著的精神，但是电影改编在艺术表现上的尝试和创新，又延伸了文学作品的文化意蕴。
[Abstract]:In recent years, some of Zhang Ailing's outstanding literary works have been constantly put on screen, showing their new vitality to the world with a brand new attitude. This paper takes the film adaptation of five novels of Zhang Ailing as an example. That is, "Love of Qing City", "resentful woman", "Red Rose and White Rose", "Half-Life", "Color, caution", starting from the three angles of remolding the character image, the polysemy of the image picture, and the reorientation of the theme. This paper analyzes the new aesthetic effects of the novel in the process of film adaptation, and probes into the differences in style in the process of the transformation from words to images. This thesis is divided into four chapters: the first chapter through the detailed description of the relationship between Zhang Ailing's novel and the film, reveals the legendary nature of the story, the vivid picture sense, the witty use of the film technique and so on. It also points out that the unique language style of Zhang Ailing's novels is difficult to visualize. The second chapter reexamines the image of the main characters in the five novels, analyzes the reasons why the adapted films change the characters in different degrees, and sums up the gains and losses brought by the changes in the characters. The third chapter takes the film "Red Rose and White Rose", "Half-Life" and "Lust, caution" as an example to deeply analyze the expansion and filling of the special image in the film, and to find out the role of the rich image of the film in the polysemy of the image. At the same time, it conveys that the film achieves the purpose of sublimation by adding relevant images. Chapter 4th is about the theme changes after the novel is adapted into a movie. The five adapted films are divided into two categories according to the changing theme: love theme and humanistic concern theme. Then the main factors of the theme change are the integration of the director's personal style and the new orientation of the film theme. The conclusion part goes back to the interactive relationship between film and literature, pointing out that the adaptation of the film more or less dispels the spirit of the original book because of the different interpretation methods, but the film adaptation tries and innovates in artistic expression. It also extends the cultural implication of literary works.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I206.7;J905

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