从《寒战2》看香港警匪电影的融合路径

发布时间：2018-02-24 14:26

  本文关键词： 李文斌 何国正 无间道 梁家辉 影子武士 社会内涵 金像奖 蔡元 刘杰 暗潮涌动 　出处：《电影评介》2016年14期 　论文类型：期刊论文

【摘要】：正从《无间道》以来香港警匪片往往离不开"证人""线人""卧底"这几个关键词,《寒战》也是从这一角度入手来进行创作,但是《无间道》的成功实在很难超越。《寒战2》的编剧可谓另辟蹊径,将个人之间的斗争扩展到势力集团的斗争,电影中的个人也变成了利益集团的棋子。香港警匪片大部分是正义与邪恶的较量,表面上警察代表正义,匪徒代表邪恶,但是《寒战2》中匪徒和警察之间是交融的,不仅是和警察还有更高层的行政
[Abstract]:Since "Infernal Affairs", Hong Kong police and bandit films have often been inseparable from the key words of "witness", "informant" and "undercover". "Cold War" has also been created from this angle. But the success of "Infernal Affairs" is really hard to surmount. The screenwriter of "Cold War II" is a new way to extend the struggle between individuals to the struggle of power groups. The individuals in the film have also become chess pieces for interest groups. Most of the Hong Kong police films are a contest between justice and evil. On the surface, the police represent justice and bandits represent evil, but in "War of the Cold War" there is a mixture of bandits and police. Not just with the police, but with higher levels of administration.
【作者单位】： 武汉大学艺术学系;湖北第二师范学院艺术学院;
【分类号】：J905
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本文编号：1530576