对动画表演与影视表演异同的研究

发布时间：2018-02-24 23:29

本文关键词： 动画表演影视表演夸张　出处：《湖北工业大学》2013年硕士论文　论文类型：学位论文

【摘要】：目前，对于动画是否是一门表演艺术这个问题，仍有部分人持否定态度，他们认为：“表演”这一行为必须由真人这一主体直接呈现出来，所有由真人通过其他媒介以及表现手法所间接呈现出来的“表演”，不应被归类于表演艺术。对此，笔者有着不同的看法。表演是指演奏乐曲、上演剧本、朗诵诗词等直接或者借助技术设备以声音、表情、动作公开再现作品。1而动画是由动画师对作品中的人设、表情、动作等各方面的刻画，以表演的形式向观众传达内在的思想和情感。由此可看出，表演与动画表演存在共性。真人表演是一个相对宽泛的概念，它囊括了歌唱、戏曲、歌舞、影视等，这其中与动画表演最为接近的就是影视表演。因此，本文将重点放在动画表演与影视表演的区别上，以突出动画表演的特性。本文从动画专业的角度出发，以动画表演与影视表演的区别为切入点，采用理论研究结合典型实例论证的方法，试图揭示出动画表演对于一部动画的重要性。具体分析过程如下： 1.概括性描述影视表演的基本概念及动画表演的理论研究范畴。目前，国内外研究人员对于影视表演的研究相对比较深入，而对于动画表演的确切定义尚不明晰，笔者暂时借用国内专家的研究成果来说明它的理论研究范畴。 2.分析动画表演的特点。本章分别对动画表演中的情感、表情、肢体、动作节奏及一般运动规律进行分析，，以此来总结动画表演的特点。 3.研究动画表演与影视表演的差异。本章从视觉感官和深层次感受两个大的方面分析了动画表演与影视表演的异同点。此章节中，笔者尝试从声音语言和执行者这两个角度来分析动画表演与影视表演的差异。 4.归纳美、日、中三国动画表演的特点。本章结合典型实例概括总结了美国、日本、以及中国动画表演的特点,通过对比，力图揭示目前中国动画创作中对于表演部分存在的一些问题。 5.结合典型实例分析作品中的动画表演。以《功夫熊猫》、《猫和老鼠》、《海绵宝宝》以及本人毕业设计《茶壶》为例，详细分析动画表演在这些影片中的具体体现。通过以上研究得出结论：影视表演源于生活，其真实性的特点决定了自身风格应该自然且贴近生活，而动画表演则是对生活态度的一种夸张和放大。动画师可以借鉴影视表演经验，学习它的分析、表演方法，将其灵活运用在动画表演上。好的动画表演不仅要合乎运动规律、符合角色内心情感，还必须在此基础上将动态夸张，使其更加生动有趣。一部动画作品，如果没有好的表演设计，即便是剧本、角色和场景都设计得很精彩，这部动画也会显得生硬死板，空洞乏味。
[Abstract]:At present, there are still some people who hold a negative attitude to the question whether animation is a performing art. They think that the act of "performing" must be presented directly by the subject of the real person. All the "performances" indirectly presented by real people through other media and means of expression should not be classified as performing arts. Reciting poems and poems directly or with the help of technical equipment to openly reproduce work 1.The animation is the portrayal by animators of the people, expressions, movements and other aspects of the works. The internal thoughts and emotions are conveyed to the audience in the form of performance, and it can be seen that there are commonalities between the performance and the animation performance. Reality performance is a relatively broad concept, it includes singing, opera, song and dance, film and television, and so on, which is closest to the animation performance is the film and television performance. Therefore, this paper will focus on the difference between animation performance and film performance. To highlight the characteristics of an animated performance. In this paper, from the angle of animation specialty, taking the difference between animation performance and film performance as the breakthrough point, the method of theoretical research combined with typical examples is adopted. This paper tries to reveal the importance of animation performance to an animation. 1. A general description of the basic concepts of film and television performance and the theoretical research scope of animation performance. At present, domestic and foreign researchers have relatively deep research on film and television performance, but the exact definition of animation performance is not clear. The author temporarily borrows the domestic expert's research result to explain its theory research scope. 2. Analyzing the characteristics of animation performance. This chapter analyzes the emotion, expression, limbs, rhythm of action and general rules of movement in animation performance, so as to summarize the characteristics of animation performance. 3. Study the difference between animation performance and film performance. This chapter analyzes the similarities and differences between animation performance and film performance from two aspects of visual sense and deep feeling. The author tries to analyze the difference between animation performance and film performance from the perspective of sound language and executor. 4. Summarize the characteristics of animation performance in America, Japan and China. This chapter summarizes the characteristics of animation performance in America, Japan, and China with typical examples. This paper tries to reveal some problems existing in Chinese animation creation. 5. Taking Kung Fu Panda, Cat and Mouse, SpongeBob and my graduation Design as examples to analyze the animation performance in these films. Through the above research, we can draw a conclusion that the film and television performance originates from life, and its authenticity determines that its own style should be natural and close to life. Animation performance is an exaggeration and amplification of the attitude towards life. Animators can learn from the experience of film and television performances, learn its analysis, perform methods, and apply it flexibly to animation performances. A good animation performance should not only conform to the law of movement. In line with the character's inner feelings, it must also be based on this dynamic hyperbole to make it more lively and interesting. An animated work, without a good performance design, even a script, character, and scene is well designed. This animation will also appear stiff and rigid, empty and boring.
【学位授予单位】：湖北工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J912;J954

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