华莱坞纪实电影中的“他者”表征——以《家在水草丰茂的地方》、《小武》为例

发布时间：2018-02-25 09:55

本文关键词： 华莱坞纪实电影他者表征　出处：《东南传播》2016年05期 　论文类型：期刊论文

【摘要】：本文主要是以华莱坞为语境,讨论纪实电影中对边缘化的异质群体中的"他者"的建构。首先对华莱坞、纪实电影和"他者"进行界定;然后选取了《家在水草丰茂的地方》和《小武》两部电影作为分析对象或者文本;用表征的视角来讨论纪实电影中建构的"他者"的意义以及相应的知识/权力问题。本文的重点也是创新点在于,用批判的视角,从符号学和话语理论出发,将电影、纪实电影看做一个表征体系,讨论纪实电影作为一种文本,在华莱坞语境中是怎样建构关于"他者"的形象的。本文认为纪实电影作为一个表征体系,在建构"他者"时主要可以从两个层面来看即使电影对于"他者"形象的建构。一方面,符号学层面即诗学层面,主要运用罗兰·巴尔特的符号学理论,分析纪实电影中怎样使用纪实电影中的实景拍摄、非专业演员以及地方方言几个层面的文本和具体语境来表现符号权力。另一方面,从话语层面即政治学层面,主要运用米歇尔·福柯的话语理论,分析纪实电影在建构"他者"的意义时,这个意义包含了怎样的权力问题,并从电影制作者、影评人和观众几个层面的权力机构展开了分析。
[Abstract]:This paper mainly discusses the construction of "other" in documentary films in the context of Warwick. Firstly, the author defines Warwick, documentary film and "other". Then I choose "home in the water and grass" and "Xiao Wu" two films as the analysis object or text; This paper discusses the meaning of the "other" and the corresponding knowledge / power in documentary film from the perspective of representation. The emphasis of this paper is that, from the perspective of criticism, the film is based on semiotics and discourse theory. Documentary film is regarded as a representation system. It discusses how documentary film, as a text, constructs the image of "other" in Warwick context. In constructing the "other," we can look at it on two levels, even in terms of the film's construction of the image of the "other." on the one hand, the semiotics level, the poetic level, mainly uses Roland Barter's semiotics theory. This paper analyzes how to use the actual scene shooting, non-professional actors and local dialects to express symbolic power in documentary movies. On the other hand, it is from the discourse level, that is, political science. Mainly using Michele Foucault's discourse theory, this paper analyzes the significance of documentary films in constructing the meaning of "the other," which contains the question of what kind of power, and from the filmmakers, Film critics and viewers at several levels of authority to carry out the analysis.
【作者单位】：浙江大学传媒与国际文化学院;
【基金】：浙江省社科重点研究基地传播与文化产业研究中心、省重点创新团队国际影视产业发展研究中心“华莱坞电影理论研究:以国际传播为视维”(ZJ14Z02)的阶段性成果
【分类号】：J905

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