电影《最爱》中的原型模式研究

发布时间：2018-02-25 22:38

  本文关键词： 圆形循环模式 情意结模式 荒诞 虚无 绝望　出处：《电影文学》2017年19期 　论文类型：期刊论文

【摘要】：电影《最爱》用神话原型批评的理论,在对原型的塑造中,用圆形循环模式和情意结模式进行叙事,以赵得意、商琴琴曲折的爱情故事为蓝本,通过娘娘村人对热病人以及赵得意、商琴琴的爱情的冷漠、歧视、隔离的探究,再现了娘娘村人的冷漠、庸俗、自私、灰暗的生存状况,描绘出一个荒诞、虚无、颓废、绝望的世界,揭示了在绝症面前,人的内心世界的荒原性和人世的荒诞性,令人沉痛,催人深思。
[Abstract]:The film "favorite" uses the theory of mythological archetypal criticism, in the molding of archetypes, uses the circular cycle model and the complex model to narrate, based on the zigzag love story of Zhao Cai and the piano and piano. Through the indifferent, discriminatory and segregated inquiry of Niangniang Village people to the hot patients and the love of Zhao Cai and the harp, it reappears the indifferent, vulgar, selfish and gray living conditions of the Niangniang Village people, and depicts a absurd, nihilistic, decadent, decadent situation. The desperate world reveals the desolation of man's inner world and the absurdity of the world in the face of terminally ill disease, which makes people sad and thought-provoking.
【作者单位】： 贵州商学院;
【分类号】：J905
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本文编号：1535473