文革电影的乌托邦色彩

发布时间：2018-02-26 05:21

本文关键词： 文革电影乌托邦表现本质成因利弊　出处：《山东师范大学学报(人文社会科学版)》2016年03期 　论文类型：期刊论文

【摘要】：文革电影的乌托邦主要体现在对理想社会蓝图的构建,这种乌托邦既存在于银幕之内,也存在于银幕之外。但在建构理想社会蓝图之前,文革电影总是先展现现实世界中的诸多问题,比如战争、阶级斗争、疾病、自然灾害等。本质上,文革电影的乌托邦是一种政治乌托邦,它重阶级性而轻人性,重集体而轻个体,重精神而轻肉体。这种乌托邦的出现主要与当时狂热的文革运动和深远的中国革命史有着必然联系。它营造了"全国一片红"的大好形势,同时也遮蔽了触目惊心的现实。
[Abstract]:The Utopia of the film of the Cultural Revolution mainly embodies in the construction of the ideal social blueprint, which exists in the screen as well as outside the screen, but before the construction of the ideal social blueprint, The film of the Cultural Revolution always shows many problems in the real world first, such as war, class struggle, disease, natural disaster and so on. In essence, the utopia of the film of the Cultural Revolution is a kind of political utopia, which emphasizes class nature rather than human nature. The emergence of this kind of utopia is mainly related to the fanatical movement of the Cultural Revolution at that time and the profound history of the Chinese revolution. It has created a great situation of "the whole country is red". At the same time, it also obscured the shocking reality.
【作者单位】：南京师范大学文学院;
【基金】：教育部人文社会科学2011年度规划项目“文革电影研究”(11YJA60005)的阶段性成果
【分类号】：J905

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