《“行走”的乐舞》：彝族撒尼民间歌舞影像记录作品创作阐述

发布时间：2018-02-26 20:27

本文关键词： 纪录片撒尼人民间歌舞　出处：《昆明理工大学》2017年硕士论文　论文类型：学位论文

【摘要】：少数民族民间歌舞是民族文化中最具外显特征的符号系统,诞生于当地族群聚集者的生活、劳作中,由当地民众直接创造,具有鲜明的人文风俗和地方特色;而纪录片客观再现、反映真实的影像特点,不仅可以完整记录少数民族民间歌舞形式,形成独特的视觉审美,更能反映背后的族群心理、生活状态以及更深层次的民族文化内涵。少数民族民间歌舞独特的外显特质和纪录片直观、深刻的影像表达方式形成优势互补,相较其他视觉传达方式,具有无可比拟的传播优势。毕业作品《“行走”的乐舞》采用影像记录的形式,笔者在多次到石林彝族撒尼村寨调研的基础上,参照现有的影视理论和撒尼歌舞的实践创作现状,选择以石林地区聚集的彝族撒尼人和撒尼民间歌舞作为创作对象,以当地较有代表性的老、中、青三代人作为主要人物,通过他们的生活状态、心理变化和对本族群歌舞文化的认知,展现撒尼人对于歌舞天生的热爱以及在大众文化的影响下,不同年代的人对于本族群文化的理解和民族文化的再创造与传承,将具有较强视听审美的歌舞形式通过镜头语言转化成一个个可看性的故事是本作品的创新之处。《“行走”的乐舞》毕业设计说明,分别从五部分详细阐述了纪录片创作过程中的准备工作、拍摄思路、方法、过程和相关经验教训,并从传播学的角度和影视人类学的角度对影片的价值和意义进行了总结。第一部分,从影片选题背景入手,阐释撒尼歌舞的现状和意义,梳理国内外关于民族歌舞纪录片的理论创作现状和实践创作现状,从而总结出本部作品的创作价值:从文化人类学“他者的眼光”之角度,运用故事化的叙述方式表达主题,具有视角的独特性,丰富了撒尼歌舞影像维度的记录与研究;第二部分论述了本作品田野调研和前期准备情况,为作品的完成提供了较为完善的理论和现实储备;第三部分是本作品的中期拍摄过程,详细展示了拍摄过程中的设备使用、摄影技术、摄影技巧和场面调度以及突发事件的应对;第四部分是整部影片的后期制作阐述,从挑选素材、影片粗剪、素材补拍、影片精剪、调色、特效制作到输出成片整个全过程都进行了理论和实践的论述;最后一部分对本作品进行全方位总结,从传播学和影视人类学的角度对影片的实践进行学术性的思考和总结,以便今后进一步提升关于民族影像的理论和实践创作。
[Abstract]:The folk song and dance of minority nationality is the symbol system with the most explicit characteristics in the national culture. It is born in the life of the local ethnic group gathering people, working, created directly by the local people, and has distinct humanistic customs and local characteristics. The objective reappearance of the documentary film, reflecting the true image characteristics, can not only record the forms of folk songs and dances of ethnic minorities completely, form a unique visual aesthetic, but also reflect the ethnic psychology behind it. The unique explicit characteristics of ethnic folk songs and dances and the visual features of documentaries, the profound ways of image expression form complementary advantages, compared with other visual means of communication, The music and dance of the graduation work "Walking" is in the form of video recording. On the basis of the investigation and investigation of the Sani village of the Yi nationality in Shilin many times, the author refers to the existing film and television theory and the present situation of the practical creation of the song and dance of Sani. They chose the Sani and the folk dance of the Yi nationality gathered in the Stone Forest area as their creative objects, and the three generations of the old, middle and young people who were more representative of the local people as the main characters through their living conditions. The psychological change and the cognition to the culture of singing and dancing of this ethnic group show the natural love for song and dance of the Sani people and the understanding of the culture of the ethnic group and the re-creation and inheritance of the national culture under the influence of the popular culture. It is the innovation of this work to transform the form of singing and dancing with strong audiovisual appreciation into a series of interesting stories by means of lens language. From the five parts, the preparation, shooting ideas, methods, process and relevant experience and lessons of documentary film creation are elaborated in detail. And from the angle of communication and film anthropology, the paper summarizes the value and significance of the film. The first part, starting with the background of the film topic, explains the current situation and significance of the song and dance of Sonny. Combing the present situation of theoretical creation and practical creation of national music and dance documentaries at home and abroad, and summing up the creative value of the works of this part: from the perspective of cultural anthropology "other person's vision", the theme is expressed by means of story narration. It enriches the recording and research of Sani's singing and dancing video dimension. The second part discusses the field investigation and preliminary preparation of this work, which provides a more perfect theoretical and practical reserve for the completion of the work. The third part is the medium-term shooting process of this work, which shows the use of equipment, photography technology, photography techniques and scene scheduling and emergency response in detail. Part 4th is the post-production of the whole film. From the selection of materials, film coarse scissors, material shooting, film fine scissors, color adjustment, special effects production to the output of the whole process of the whole process are discussed in theory and practice; the last part of the overall summary of this work, From the angle of communication and film anthropology, the author thinks and summarizes the practice of the film academically in order to further improve the theory and practice of national image creation in the future.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J952

【参考文献】