《驴得水》的举“三”反一之美

发布时间：2018-02-27 14:42

  本文关键词： 《驴得水》 三美 艺术特色　出处：《电影文学》2017年12期 　论文类型：期刊论文

【摘要】：影片《驴得水》在看似不经意的三次剪发、三次下跪、三次流泪等细节中,勾连起了影片的主题、人物的塑造与文本的叙事,是观众管窥影片主题、人物、叙事等艺术成就的镜子。三次剪发构成了整个故事的隐喻,成为刻画人物形象、揭示人物命运结局及影片主题的有力注脚。三次下跪更是"跪"出了影片的三重主题。三次流泪则完成了对人物形象入木三分的塑造。一个个"三"的叠加,造就了一部情节一波三折、主题一唱三叹的优秀影片,可谓"举三反一"。
[Abstract]:The film "Donkey Water" in the seemingly inadvertent three haircuts, three kneeling, three tears and other details, the film's theme, character shaping and text narration, is the audience peep at the film theme, characters, The mirror of artistic achievement such as narrative. Three haircuts constitute the metaphor of the whole story and become the portrayal of the characters. To reveal the fate of the character and the theme of the powerful footnotes. Three kneeling is "kneel" out of the film's triple theme. Three tears to complete the image of the character into a three-point. One by one "three" superposition, The creation of a twists and turns of the plot, the theme of the excellent film, can be described as "lift three against one."
【作者单位】： 山东艺术学院传媒学院;
【分类号】：J905
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本文编号：1543100