关于青春谍战剧的审美批评

发布时间：2018-02-27 18:34

本文关键词： 审美批评审美趣味革命理想黎明之前革命叙事革命话语二元对立暴力美学家庭伦理剧文化分析 　出处：《中国电视》2017年08期 　论文类型：期刊论文

【摘要】：正滥觞于2005年谍战剧《暗算》的热播,以及随后陆续问世的《潜伏》《黎明之前》《悬崖》《伪装者》《锋刃》等剧,将谍战剧的创作与播出推向一个新的高潮。区别于早期的谍战剧,本文将21世纪之初涌现出来的具有新的审美趣味和叙事规则的谍战剧称之为新谍战剧,包括反特片、惊险片以及间谍片。"结合主流意识形态和娱乐性的需求,新谍战剧在继承早期谍战剧弘扬崇高的革命理想的基础上,打破二元对立的人物冲突模式,呈现出多方势力交织的复杂模式;给曾经‘高大全’的完美
[Abstract]:The popularity of espionage on 2005, and the subsequent series "latent," "before dawn," "the Cliff," "the camouflage," "the Blade," and so on, have pushed the creation and broadcast of espionage to a new climax, which is different from early espionage dramas. In 21th century, the espionage drama with new aesthetic interest and narrative rules is called new espionage drama, including anti-feature film, thriller film and spy film. "combine the demand of mainstream ideology and entertainment," On the basis of inheriting the lofty revolutionary ideals of the early spy drama, the new espionage drama breaks the dualistic conflict pattern of characters and presents a complex pattern of intertwined forces;
【作者单位】：海南师范大学;上海大学上海电影学院;海南师范大学新闻传播与影视学院;
【基金】：教育部人文社会科学研究青年基金项目〈项目编号:14YJC760059〉海南省社科联专项课题〈项目编号:Hnsz2015-13〉的阶段性成果
【分类号】：J901

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