21世纪以来的《西游记》电影改编研究

发布时间：2018-03-01 11:24

本文关键词： 《西游记》影视改编魔幻类型 IP　出处：《西北大学》2017年硕士论文　论文类型：学位论文

【摘要】：2013年周星驰导演作品《西游降魔篇》引发了国内电影市场“西游”热的改编趋势,许多大众耳熟能详的经典桥段被重新搬上银幕。改编电影以强悍的影视技术作为支撑,给观众带来了前所未有的华丽视觉体验。令人堪忧的是,改编作品虽然在市场上取得了一定的票房成绩,但电影所获评价不一,多数电影仍未能摆脱当下国产电影高票房低口碑的尴尬困境。在此背景下,本论文着重以21世纪来国内的“西游”题材电影为主要研究对象,从小说文本的艺术特色、观众的审美接受及小说能被高频改编的外部客观条件三个方面分析了《西游记》被电影艺术所亲睐的深层文化原因。改编涉及到两种不同艺术之间的转化,文字文本转化为影视文本,抽象思维具象化呈现,因此改编过程中会无可避免与小说产生一定的差异。本文主要从故事情节、人物形象、主旨内涵等几个方面探讨目前《西游记》题材电影的改编现状。《西游记》电影作品在视觉表现上的突破,让我们看到了国内魔幻大片广阔的市场前景,但当下作品又普遍呈现出过度迎合市场的娱乐化趋势和注重感官刺激的视觉化趋势。本文将结合改编理论,通过对21世纪以来的电影作品进行梳理研究,以期能够为经典文学名著的文化传承、影视改编以及国内魔幻类型的建构提供一定的理论参考。
[Abstract]:In 2013, Zhou Xingchi's directed work, "West Tour down the Demon", triggered a trend of adaptation of the "West Tour" in the domestic film market, and many well-known classical passages were reintroduced to the screen. The adaptation was supported by tough film and television technology. It has brought an unprecedented visual experience to the audience. Worryingly, although the adaptation has achieved some box-office results in the market, the film has received different reviews. Most films are still unable to get rid of the awkward predicament of high box-office and low reputation of domestic films. Under this background, this paper focuses on the domestic films of "traveling to the West" since 21th century as the main research object, from the artistic characteristics of the novel text. The aesthetic acceptance of the audience and the external objective conditions under which the novel can be adapted by high frequency are analyzed in three aspects: the deep cultural reasons that the Journey to the West is favored by the film art. The adaptation involves the transformation between two different arts. The text is transformed into the film and television text, and abstract thinking is presented concretely, so the adaptation process will inevitably produce some difference with the novel. This article mainly from the story plot, the character image, This paper discusses the present situation of adaptation of the films on the theme of "Journey to the West" from several aspects such as the connotation of the theme. The breakthrough in the visual performance of the film works shows us the broad market prospects of the domestic magic blockbusters. However, the current works generally show a trend of entertainment and visual orientation which cater to the market too much and pay attention to sensory stimulation. This paper will combine the theory of adaptation, through combing and studying the film works since 21th century. In order to provide some theoretical reference for the cultural inheritance, film adaptation and the construction of magic types in China.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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