日本电影中的死亡审美研究

发布时间：2018-03-01 22:13

本文关键词： 日本电影死亡审美死亡主题向死而生死亡意象　出处：《重庆大学》2015年硕士论文　论文类型：学位论文

【摘要】：死亡作为生命的最终归宿,一直以来就是人类思考的终极命题。由于死亡的不可抗拒性和人类与生俱来的生命意识,使得人们既对死亡充满未知的好奇,又对死亡普遍持有回避和抵触的态度。为了明白生命存在的真正价值和意义,人类围绕死亡展开一系列的研究。从宗教领域,到哲学范畴,再到艺术世界,人类借助各种方式,从不同的角度剖析死亡,时光流逝,探寻的脚步始终未曾停止。然而,在此过程中,电影凭借自身独特的艺术特性成为解读死亡的一大有利途径。它通过不同角度,不同层面审视死亡,并且在此基础上融合各种文化元素,展开对死亡多手法的影像表达,使得影像中死亡元素具有了一定的审美价值。视听结合下的死亡情节不仅丰富了人类的死亡认知,还激发起电影艺术的审美表达,提升了电影艺术的人文价值。纵观世界电影发展的历程,日本电影因其影像间流露出的鲜明的民族特性,成为世界电影一个重要的组成部分。就死亡而言,日本电影人同样不吝于对它的书写,甚至是热衷于表现死亡。从电影的叙事内容到影像风格,死亡意象被赋予了深厚的日式民族审美特质,突显出一种独特的欣赏死亡和赞美死亡的心理。究其根源,与日本传统文化中流露出的死亡崇拜息息相关。此外,日本电影创作者对死亡有意识的追求,也影响了观影者对待死亡的态度,帮助他们建立起一种审视死亡之美的生命体验。本文对日本电影中的死亡审美研究从四个部分展开论述。第一部分是死亡之美。从哲学、宗教、艺术三方面,对日式死亡审美受到的不同程度的影响做一个整体性的梳理。同时,在死亡美学的研究范畴中,总结出电影中死亡元素的三大功能。由此对日本传统文化中蕴含的死亡观念有一个基本的了解,为下面深入探究日本电影中的死亡审美做铺垫。第二部分是日本电影中的死亡主题。本文选取了在死亡主题表达上具有代表性的日本电影作为主要研究对象。通过对比分析,提炼共性,挖掘出日本电影呈现死亡主题时的创作特点。由此总结了三个具有代表性的死亡主题:爱与死的纠缠;青春与死的相遇;责任与死的碰撞。第三部分是日本电影中的死亡影像风格。从死亡意象的选择,死亡的色彩表达,死亡的仪式化呈现三方面,结合日本传统文化、民族心理等,对日本电影中透露出的死亡影像风格进行较为深入的研究,挖掘出死亡在影像中表达的多重可能。第四部分是中日电影中死亡审美的比较研究。日本电影中死亡元素的文化内涵受到中国传统文化的影响颇深,将中日电影中的死亡主题和影像风格进行比较,有助于完善对日本电影死亡元素的理解,也可以在横向比较间,总结出日本电影死亡审美的优势和缺陷,为中国电影,以及世界其他国家电影创作带来启示。
[Abstract]:Death, as the ultimate destination of life, has always been the ultimate proposition of human thinking. Due to the irresistibility of death and the innate consciousness of life, people are full of unknown curiosity about death. In order to understand the true value and significance of the existence of life, human beings carry out a series of studies around death. From the religious field to the philosophical category, to the artistic world, human beings resort to various means. Analyzing death from different angles, time goes by, the pace of exploration never stops. However, in the process, movies, by virtue of their own unique artistic characteristics, become a great way to interpret death. On the basis of examining death at different levels and integrating all kinds of cultural elements, the image expression of multiple methods of death is carried out. It not only enriches the death cognition of human beings, but also stimulates the aesthetic expression of film art. The history of film development in the world shows that Japanese films have become an important part of the world's films because of their distinctive national characteristics. As far as death is concerned, Japanese filmmakers are equally willing to write about it and even to express death. From its narrative content to its image style, the image of death is endowed with a profound aesthetic quality of the Japanese nation. Highlighting a unique appreciation of and admiration for death. Its root causes are closely related to the worship of death revealed in traditional Japanese culture. In addition, Japanese film makers have a conscious pursuit of death. It also affects the attitude of the moviegoers towards death, and helps them to establish a life experience that examines the beauty of death. This paper discusses the aesthetic study of death in Japanese movies from four parts. The first part is the beauty of death. In the three aspects of religion and art, this paper makes a holistic analysis of the influence of Japanese death aesthetics to different degrees. At the same time, in the study of death aesthetics, Summed up the three functions of the death elements in the film. From this, we have a basic understanding of the concept of death contained in the traditional Japanese culture. The second part is the theme of death in Japanese film. This paper selects the Japanese film which is representative of the theme of death as the main research object. Abstract the common character, excavate the creation characteristic when Japanese film presents the theme of death. From this, it summarizes three representative death themes: the entanglement of love and death, the encounter of youth and death; The third part is the style of death image in Japanese film. From the choice of death image, the color expression of death, the ritualization of death, the combination of Japanese traditional culture, national psychology, etc. A more in-depth study of the style of death images revealed in Japanese films, The 4th part is a comparative study of death aesthetics in Chinese and Japanese films. The cultural connotation of death elements in Japanese films is deeply influenced by Chinese traditional culture. Comparing the death theme and the image style between Chinese and Japanese films will help to improve the understanding of the Japanese film death elements, and can also sum up the advantages and disadvantages of the Japanese film death aesthetic in the horizontal comparison, so as to be Chinese film. And other countries around the world to bring inspiration to film creation.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J901

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