笑里乾坤:《我不是潘金莲》的传达策略

发布时间：2018-03-02 03:22

  本文关键词： 冯氏喜剧 方圆构图 艺术策略 社会科层　出处：《电影文学》2017年05期 　论文类型：期刊论文

【摘要】：冯氏喜剧在幽默讽刺中传达着直视现实的力量。在《我不是潘金莲》中,冯小刚导演将美术方圆构图引入光影视界,呈现出了山水意境与影视主题的巧妙结合,实现了美学形式与剧本内容的有效融合。在方圆进退之间呈现着中国的国情、世情和人情,传递着对朗朗乾坤天地正气的思考。同时,故事将人伦、人治与法治的社会科层化反观呈现在观众面前,笑中有象,笑中有料,实现了喜剧电影娱乐化与厚重度的最佳承载。
[Abstract]:Feng's comedy conveys the power of looking directly at reality in humor and satire. In "I am not Pan Jinlian", director Feng Xiaogang introduces the circle composition of fine arts into the field of film and television, showing a clever combination of the artistic conception of landscape and the theme of film and television. It realizes the effective fusion of aesthetic form and script content. It presents the national conditions of China, the world situation and human feelings, and conveys the thinking of the world and the world. At the same time, the story will be human relations. The social stratification of the rule of man and the rule of law is presented in front of the audience, with images in laughter and materials in laughter, which realizes the best bearing of entertainment and thickness of comedy films.
【作者单位】： 河南科技学院文法学院;
【基金】：河南省教育厅人文社科重点项目“新乡变迁与转型中的空间场域文化形态研究”(项目编号:2015ZD028) 河南科技学院博士科研创新培育项目“新时期文学场域建构与文艺科层制度镜像互动关系研究”和教育教学改革重点项目“‘互联网+教学’视域下的汉语言文学课程建设研究”阶段性成果
【分类号】：J905
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本文编号：1554811