大众文化视阈下海宁皮影戏的影像化发展研究

发布时间：2018-03-02 06:41

本文关键词： 海宁皮影大众文化影像发展　出处：《浙江理工大学》2017年硕士论文　论文类型：学位论文

【摘要】：当前,新兴大众文化快速占据人们的娱乐休闲生活。而作为中国非物质文化遗产的海宁皮影戏已逐渐少有人问津,日新月异的娱乐方式让这门民间戏剧的生存的陷入尴尬的境地。一方面对皮影戏有需求的群体在逐步衰亡,新的需求群体迟迟未被发掘出来;另一方面,皮影戏舞台式的展示方式既限制了它的传播,亦缺乏创新和时代性,和当下大众生活严重“断层”。这两方面是造成海宁皮影戏难以传承与保护的主要原因。有经验的皮影艺人在随着时间不断消逝,海宁皮影戏亟待在传承保护的基础上创新来维持海宁皮影戏的生存。固步自封,抱残守缺,继续放任皮影戏继续停留在旧纸堆里;抑或是舍本逐末,不伦不类,让皮影戏变化的面目全非,看不出海宁皮影戏的底蕴,都无益于皮影的生存发展。如何保护文化遗产,同时遵循内在基因的基础上生发出全新的审美价值,这是值得深思的。皮影戏虽然在演出范围和规模上较以往大幅缩减,但是只要留意身边的诸多媒体,就能发觉皮影在以另一种方式在新媒介中出现在我们的视野中。影像作为一种呈现方式,在保护非物质文化遗产上有着得天独厚的优势。影像创作手段,可以突破皮影戏对传统媒材的依赖,突破有限性空间的约制。让皮影戏转变成数字化的文化创新产品,使皮影戏借助新的载体获得大众文化的身份,在大众文化场域里的流通和传播。本文把海宁皮影戏的影像化发展的语境设定在大众文化视阈下,从大众对文化产品需求的角度出发,深入研究海宁皮影戏的影像化路径。文章简述海宁皮影戏的文化价值和审美价值,目前已有皮影戏的影像形式多样,从最初的国产美术片到现代的皮影元素和数字媒体的结合,这些成果都能为海宁皮影戏的影像化发展提供参考。本文针对现有的皮影戏影像化的应用领域进行研究归类,分析海宁皮影戏在影像化中已经不适应现代审美的本体构成,结合现今已有的影像化皮影戏变革的案例,总结海宁皮影戏转型设计的一些经验,确保海宁皮影戏在数字时代下有新的发展,实现对海宁皮影戏的传播和传承。
[Abstract]:At present, the new popular culture is rapidly occupying people's entertainment and leisure life. Haining shadow play, which is China's intangible cultural heritage, has become less and less popular. The ever-changing way of entertainment has put the survival of this folk drama in an awkward situation. On the one hand, the group in need of shadow play is gradually declining, and the new demand group has not been discovered yet; on the other hand, The theatrical display of shadow play not only limits its dissemination, but also lacks innovation and epoch. And the serious "fault" of public life. These two aspects are the main reasons why Haining shadow play is difficult to pass on and protect. Experienced shadow artists are passing away over time. Haining shadow play urgently needs to innovate on the basis of heritage and protection to maintain the survival of Haining shadow drama. Let the shadow play change completely, can't see the Haining shadow play inside information, does not benefit the shadow shadow survival and development. How to protect the cultural heritage, while following the inherent genetic basis to give birth to a new aesthetic value, This is worth pondering over. Although the scope and scale of the performance of shadow plays are significantly reduced compared with the past, they only need to pay attention to the many media outlets around them. It can be found that shadow images appear in our view in another way in the new media. As a way of presentation, images have a unique advantage in protecting the intangible cultural heritage. It can break through the dependence of shadow play on traditional media, break through the restriction of limited space, transform shadow play into digital cultural innovation product, and enable shadow play to obtain the identity of popular culture with the help of new carrier. In this paper, the context of the image development of Haining shadow play is set under the visual threshold of popular culture, and from the point of view of the mass demand for cultural products, the article sets the context of the development of Haining shadow play in the field of mass culture. The article briefly describes the cultural value and aesthetic value of Haining shadow play. At present, there are various forms of shadow play, from the original domestic art film to the modern shadow elements and digital media, the paper briefly describes the cultural value and aesthetic value of Haining shadow play. These results can provide a reference for the development of the image of Haining shadow play. This paper studies and classifies the existing application fields of shadow play, and analyzes that the image of Haining shadow play has not adapted to the modern aesthetic ontology. Combined with the existing cases of image shadow play transformation, this paper summarizes some experiences of Haining shadow play transformation design, ensures that Haining shadow play has a new development in the digital age, and realizes the dissemination and inheritance of Haining shadow play.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J827;J905

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