基于文化差异的中西方历史纪录片创作研究

发布时间：2018-03-04 16:17

  本文选题：历史纪录片　切入点：中西方文化差异　出处：《上海师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：世界各国都拥有自己的文化，不同文化背景下的各国观众有着不同的审美心理与审美期待。中西方的历史纪录片在文化差异的影响下呈现出截然不同的创作风格。在全球化背景下,从文化差异的角度认真地了解与比较研宄中西方历史纪录片，不仅是中国历史纪录片生存和发展的需要,同时也是加强中外文化交流、促进文化融合、抵制文化一体化、传播中华优秀传统文化的需要。 本文先是从历史纪录片的概念及分类、文化的内涵及文化差异来说明历史纪录片与文化的相关理论;然后从文化差异的历史根源、文化形态、人与自然关系、人与社会关系、时间取向、审美取向这六个方面对中西方历史纪录片的文化语境做深入的分析，作为案例比较研宄的理论铺垫；接着以《1405,郑和下西洋》与《伟大传奇再现一一郑和下西洋》两部历史纪录片作为分析案例，，从案例选择依据、创作观念、内容与主题、价值观表达、叙事方式、影像语言这六个方面对历史纪录片的创作进行分析和比较研宄。最后论述了中西方的文化交流与借鉴对我国历史纪录片发展的重要意义，并对我国的历史纪录片如何才能既让中国观众喜爱、又能走向世界提出了自己的一些看法。
[Abstract]:Every country in the world has its own culture, The audiences of different countries have different aesthetic psychology and aesthetic expectation under different cultural background. Under the influence of cultural differences, the historical documentaries of China and the West present quite different creative styles. To understand and compare Chinese and Western historical documentaries from the perspective of cultural differences is not only the need for the survival and development of Chinese historical documentaries, but also the need to strengthen cultural exchanges between China and foreign countries, to promote cultural integration, and to resist cultural integration. The need to spread the excellent Chinese traditional culture. This paper first explains the theory of historical documentary and culture from the concept and classification of historical documentary, the connotation of culture and cultural differences, and then from the historical root of cultural differences, cultural form, the relationship between man and nature, human and social relations, Time orientation, aesthetic orientation of the six aspects of the history of Chinese and Western documentary cultural context in-depth analysis, as a case comparative study of the theoretical foundation; Then two historical documentaries, < 1405, Zheng he's voyages to the West > and "the Great Legend of the West", are taken as analysis cases, which are based on the selection of cases, creative concepts, contents and themes, expressions of values, and narrative methods. This paper analyzes and compares the creation of historical documentaries in the six aspects of image language. Finally, it discusses the significance of cultural exchange and reference between China and the West to the development of historical documentaries in China. It also puts forward some views on how to make Chinese viewers like it and go to the world.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J952

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