《亮剑》从小说到电视剧的变化分析

发布时间：2018-03-05 01:34

本文选题：大众文化　切入点：小说　出处：《辽宁大学》2014年硕士论文　论文类型：学位论文

【摘要】：法兰克福学派对“大众文化”的研究始于20世纪30年代后期，在他们看来，大众文化是指救助大众传播媒介而流行于大众社会中的通俗文化，他们心中的大众文化是单一层面的群氓式存在着，必须对它进行批判。对于法兰克福学派本身对大众文化的理解是存在积极性的，但是也存在局限性，正如他们在德国的法西斯主义与美国的资本主义之间、法西斯的文化专制与美国的大众文化之间并没有进行深刻的分析区分。因此，，法兰克福学派大众文化批判理论在中国也必然有它的局限性。第一部分主要以战争题材电视剧《亮剑》为例简要概括何为战争题材电视剧，和从小说到电视剧剧情的改动，并将小说到电视剧的剧情发生不同变化进行对比，也对其中删改较大的部分进行阐述，《亮剑》结局的不同是剧情的一大特色，它的主旨与原著相背离，因此在结尾处需要详细论证。第二部分是本文的重点论述部分，利用法兰克福学派对大众文化批判理论观点对《亮剑》进行分析，并说明从小说到电视剧剧情发生变化的原因所在。这里简单介绍法兰克福学派大众文化批判理论，由此详细的从媒体角度看和受众角度来进一步论述，在本部分也会加入相关的权威数据和观点来佐证本观点。第三部分用实例补充证明以上观点。这一部分举例（除亮剑之外）其他战争题材电视剧从小说改编到电视剧出现的问题，更加证明小说与电视剧的区别。然而由于大众文化的存在导致如今战争题材电视剧出现很多复制的人物形象和一些“雷人”的剧情,并且现象有越演越烈的趋势。
[Abstract]:The Frankfurt school began to study "popular culture" in the late 1930s. In their view, mass culture refers to popular culture that helps the mass media and is popular in the mass society. The mass culture in their minds is a mono-level mob existence, which must be criticized. There is enthusiasm for the Frankfurt School's own understanding of popular culture, but there are also limitations. As they did between fascism in Germany and capitalism in the United States, there was no profound analytical distinction between fascist cultural autocracy and American popular culture. Frankfurt school of mass culture criticism theory in China must also have its limitations. The first part mainly takes the war drama "Liangjian" as an example to summarize briefly what is war drama, and changes from novel to TV drama plot, and compares the plot of novel to TV drama. The difference of the ending of "Liangjian" is one of the major features of the plot. Its main idea deviates from the original, so it needs to be demonstrated in detail at the end. The second part is the focus of this paper, using the Frankfurt School to criticize the popular culture theory point of view to analyze the "Liangjian", And explain the reasons for the change from the novel to the TV drama plot. Here we briefly introduce the Frankfurt School's theory of popular culture criticism, which is further discussed from the media and the audience perspective. This section will also include relevant authoritative data and views to support this view. The third part uses the example to prove the above viewpoint. This part gives an example of the problems in the adaptation of other war TV dramas from novels to TV dramas. However, due to the existence of popular culture, there are a lot of duplicated characters and some "shocking" plots in war TV dramas, and the phenomenon has a tendency to be more and more intense.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.42;J905

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