新世纪内地犯罪题材电影研究

发布时间：2018-03-07 00:18

本文选题：犯罪题材　切入点：类型元素　出处：《阜阳师范学院》2017年硕士论文　论文类型：学位论文

【摘要】：在消费语境中,犯罪题材电影因其选材的敏感性和表现手法的风格化而别具魅力,吸引观众眼球的同时也获得了资本与市场的青睐,故而内地犯罪题材电影,在新世纪这一电影产业改革深化期有了长足的发展。新世纪以来内地犯罪题材电影采用更灵活的叙事手段,主动融入类型元素,呈现出多样的表现形态。电影人一面对类型电影进行学习与借鉴,一面结合本土化策略生产出不同式样的影片。比如,宁浩极具草根气质的黑色喜剧作品、曹保平亦庄亦谐的剧情片、丁晟风格硬朗的警匪片及携带类型元素的艺术片等等,这些形态各异的影片营造了新世纪电影市场百花齐放的格局。新世纪内地犯罪题材电影在表达特色上拥有高度自觉性,电影人对本土电影的影像表达和电影语法进行了摸索与创新。首先,犯罪题材电影将空间设置与伦理表述进行结合,深度挖掘人性与社群性格,暴露转型时期社会存在的各种问题。其次,内地犯罪题材电影通过方言塑造了底层人物及边缘人物形象并透析了方言背后的地域文化。再次,新世纪内地犯罪题材电影对角色心理进行深入挖掘,尝试运用心理进行叙事。新世纪内地犯罪题材电影从借鉴到总结经验再到实验创新,由此衍生出一批别具一格的作品。市场和电影人一道向西方电影、港台电影、韩国电影学习,在实践中逐渐总结出适宜中国电影市场的经验,并通过实验与创新生产出天马行空的作者电影及独特的青春片。新世纪内地犯罪题材电影是当代中国电影的生力军,汇集了诸多优秀的电影人才,代表着内地电影行业的较高水准。本文通过对犯罪题材电影进行系统地梳理与考察,触摸到中国电影行业的脉搏,从具体作品出发,正视行业当前的进步与困境,提出在商业与艺术之间寻求平衡的解决对策。
[Abstract]:In the context of consumption, crime films are attractive because of their sensitivity to material selection and stylization of their methods of expression, attracting the attention of the audience and gaining the favor of the capital and the market at the same time. In the new century, during the period of deepening the reform of the film industry, great progress has been made. Since the new century, mainland crime films have adopted more flexible narrative methods and actively integrated into the elements of type. There are various forms of expression. Filmmakers learn and learn from genre films, and on the other hand produce films of different styles in combination with the localization strategy. For example, Ning Hao's black comedy works, which have a very grassroots temperament, Cao Baoping also played drama films by Chuang Yi-heng, Ding Sheng's hard-headed police and bandit films, art films with type elements, and so on. These films of various shapes have created a pattern of blooming in the film market in the new century. The mainland crime films of the new century have a high degree of consciousness in expressing their characteristics. The filmmakers grope and innovate the image expression and the movie grammar of the local film. Firstly, the crime theme film combines the space setting with the ethics expression, excavates the humanity and the community character deeply. Secondly, the crime film in the mainland molds the image of the bottom character and the marginal figure through dialect and analyzes the regional culture behind the dialect. In the new century, the mainland crime movies deeply excavate the role psychology, try to use psychology to narrate. The new century mainland crime films from learning from summing up experience to experimental innovation, This gave rise to a number of unique works. The market and filmmakers learned from Western films, Hong Kong and Taiwan films, and Korean films. In practice, they gradually summed up experiences suitable for the Chinese film market. And through experiments and innovations, the author's films and unique youth films are produced. The mainland crime films of the new century are the fresh force of contemporary Chinese films, bringing together many excellent film talents. It represents the relatively high standard of the film industry in the mainland. By systematically combing and investigating the crime theme films, this paper touches the pulse of the Chinese film industry, starts from the concrete works, and faces up to the current progress and predicament of the industry. Put forward the solution that seeks balance between business and art.
【学位授予单位】：阜阳师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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