电影本体观念的嬗变

发布时间：2018-03-07 03:08

  本文选题：电影本体　切入点：电影媒介　出处：《电影文学》2017年15期 　论文类型：期刊论文

【摘要】：本文以国内电影媒介快速发展变迁所带来的"本体焦虑"状况为论述起点,从对电影媒介内外部因素变迁所形成本体挑战的状况梳理,到对这种变迁形成原因与表现的论述。在此基础上,阐释了当下电影概念由"运动影像"转变为"影院叙事体"的指向偏移,电影本体观念则是在资本趋利性的前提下,由"科技本体"向"艺术本体"进行嬗变,并就当下电影业诸种本体争论现象,阐明了电影本体观念随着多媒介化发展而不断嬗变的特征。
[Abstract]:This paper begins with the situation of "Noumenon anxiety" brought by the rapid development of domestic film media, and combs the situation of Noumenon challenges formed by the changes of internal and external factors in the film media. On the basis of the discussion of the causes and manifestations of this change, this paper explains the change of the concept of film from "moving image" to "narrative body of cinema", and the concept of film ontology is based on the premise of capitalization. From "Science and Technology Noumenon" to "Art Noumenon", this paper expounds the characteristics of the constant evolution of the concept of Film Noumenon with the development of multi-media.
【作者单位】： 四川传媒学院;
【分类号】：J905
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本文编号：1577661