拉美电影与被遮蔽的身份

发布时间：2018-03-07 16:14

本文选题：拉美电影　切入点：遮蔽　出处：《浙江大学》2014年硕士论文　论文类型：学位论文

【摘要】：拉美电影是国内研究较少的一个领域,本文作为一次填补空缺的尝试,选择“被遮蔽的身份”这条主线,尽力呈现和挖掘拉美电影的特殊之处。第一层遮蔽来自拥有全球影响力的西方主流文化,文章梳理了拉美电影作为整体的崛起过程,并着重分析了具有身份代表性的电影《旅行》。第二层遮蔽聚焦于拉美军政府统治期间的“失踪者”,以智利导演帕特里西奥·古兹曼为典型,展现电影人对历史的追索和对个体记忆的铭写。第三层遮蔽的对象是拉美大陆上最初的主人印第安人,他们在欧美国家、拉美本土知识分子和原住民自己拍摄的影片中呈现出不同形象,其中原住民自己制作的各类视频是一种在技术上和灵魂上去殖民化的努力。去除从外部到内部、从群体到个体、从显性到隐性的层层遮蔽,不只是为了表现全球文化的多样性,更是为了展现拉美电影人在不平等的权力结构下,为自己赢得尊严和开拓新的可能性而奋斗。
[Abstract]:Latin American film is a less studied field in China. As an attempt to fill the gap, this paper chooses the main line of "shaded identity". Try to present and explore the special features of Latin American films. The first layer covers the mainstream Western culture with global influence. The article combs the rise of Latin American films as a whole. And it focuses on the identity of the film Travel. The second layer of masking focuses on the missing during the military junta in Latin America, exemplified by Chilean director Patricia Guzman. To show filmmakers' pursuit of history and the inscription of individual memories. The third layer obscured the original master Indians of the Latin American continent, who were in Europe and the United States. Latin American intellectuals and indigenous peoples present different images in their own films. Among them, the various videos produced by indigenous peoples are a technical and spiritual effort to colonize. The removal of layers of obscurity from outside to inside, from groups to individuals, from dominance to recessive, is not only to show the diversity of global cultures, but also to show that Latin American filmmakers are under unequal power structures. Fight for your dignity and open up new possibilities.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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