光影中的冷战——以20世纪五六十年代星港两地电影互动为研究对象

发布时间：2018-03-08 01:25

本文选题：长城　切入点：凤凰　出处：《当代电影》2016年09期 　论文类型：期刊论文

【摘要】：长期以来,我们对香港文学的研究主要集中在本土性方面的定位和研究,相较于这种研究,对20世纪五六十年代内地南来和马来亚(主要是指新加坡和马来西亚)北上的知识分子(包括导演、编剧、制片和演员)的整体研究相对偏弱,同时,对香港与马来亚电影界互相交流合作,如马来亚影人北上、香港电影中的马来亚风情等方面的研究也不够。本文分两个部分,第一部分以左派的长城、凤凰影业和右派的电懋、邵氏为比较对象,对两派的幕后老板、导演出身、演员阵容和经典作品等方面进行一种整体观的研究,同时对一些经典作品进行文本解读,从而探讨冷战格局下,左、右派阵营在特定历史时段的创作姿态和时代贡献。另一部分,着眼于香港、马来亚两地影业方面的合作交流,以再现南洋的港制电影为探讨对象,对两地交流的历史进行梳理,对经典作品进行文本阐释,以补充第一部分中新马两地电影互动中的冷战因素影响。本文试图从一种亚洲内在文学联系的角度,对中国内地、香港和新马三地电影互动进行一种整体研究,同时对冷战场域下新港两地电影互动的历史进行钩沉和整合,为我们理解华语电影提供一个新的方式和向度。
[Abstract]:For a long time, our research on Hong Kong literature has mainly focused on localization and research, compared with this kind of study. In 20th century, the overall study of intellectuals (including directors, writers, producers and actors) from the mainland and Malaya (mainly Singapore and Malaysia) from the mainland in the 1950s and 1960s was relatively weak, and at the same time, The research on the exchange and cooperation between Hong Kong and Malaya film circles, such as Malaya film people going northward and Malayan customs in Hong Kong films, is not enough. This paper is divided into two parts: the first part is the Great Wall on the left, Phoenix Pictures and Electric Mao on the right. Shao is the comparative object. He studies the owner behind the scenes, the director's background, the cast and the classic works of the two schools in a holistic view. At the same time, he interprets some classical works in the text, so as to explore the situation of the Cold War, left, and so on. The right-wing camp's creative posture and contribution to the times in a specific historical period. The other part focuses on the cooperative exchanges between the Hong Kong and Malayan film industries, taking the reappearance of the Hong Kong films of the Nanyang as the object of discussion, and combing the history of the exchanges between the two places. In order to supplement the influence of Cold War factors in the film interaction between Singapore and Malaysia in the first part, this paper attempts to study the Chinese mainland from the perspective of an Asian internal literary link. The film interaction between Hong Kong and Singapore and Malaysia is studied as a whole. Meanwhile, the history of film interaction between Hong Kong and Singapore under the Cold War is studied and integrated, which provides a new way and direction for us to understand Chinese movies.
【作者单位】：浙江大学人文学院;
【分类号】：J905

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