两性文化视域下的《消失的爱人》

发布时间：2018-03-08 02:33

本文选题：《消失的爱人》　切入点：大卫·芬奇　出处：《电影文学》2017年13期 　论文类型：期刊论文

【摘要】：大卫·芬奇的《消失的爱人》以悬疑、惊悚的外衣探讨了当代社会的两性关系。因为对两性文化冷峻而深邃的思考,电影能够摆脱悬疑片纯粹靠情节取胜的窠臼。影片中,大量的细节与其中隐含的深意诱使观众对影片重复回味,不断接近人物的内心,并将电影置于当下社会的语境中思考,逐渐意识到影片中两性文化的现实意义。文章从两性关系的失衡、"去男权"的性别权力书写、社会场域与两性文化三方面,以两性文化观照电影《消失的爱人》。
[Abstract]:David Finch's "lost Love" explores gender relations in contemporary society in a suspense, thriller cloak. Because of the cold and deep thinking about gender culture, movies can get rid of the mere plot winning pattern of suspense films. In the film, A great deal of detail and its implied meaning induces the audience to repeat the film, to get close to the character's heart, and to think about the film in the context of the present society. Gradually realize the realistic significance of the gender culture in the film. The article from the imbalance of the relationship between the two sexes, "go to male power" gender power writing, social field and gender culture three aspects, from the gender culture view of the film "lost Love".
【作者单位】：河南工程学院;
【分类号】：J905

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