《刺客聂隐娘》的诗意美学追求

发布时间：2018-03-08 14:19

本文选题：电影艺术　切入点：《刺客聂隐娘》　出处：《四川戏剧》2017年09期 　论文类型：期刊论文

【摘要】：《刺客聂隐娘》在碎片化的叙事结构下,回归影像本身,以中国古典诗意诚意对话观众。影片沿袭了侯孝贤导演一贯奉行的文化底蕴路线和视听美学的电影观念,以隐忍克制的叙事语言,写实平淡的场景设置,对中国古代美学进行了视觉上的临摹,对复杂社会中的人性进行了极富诗意的解构。影片从整体写意到细节写实,无一不彰显出主创团队极度高超的美术技艺和审美情趣。影片复活了中国传统诗意美学的风骨,对中国电影在全球化时代强化自身的美学坐标和文化诉求提供了宝贵的借鉴与启示价值。
[Abstract]:Under the fragmented narrative structure, the assassin Nie Yin Niang returns to the image itself and talks with the audience with the sincerity of Chinese classical poetry. The film follows the cultural background line and audio-visual aesthetic concept that director Hou Hsiao-hsien has always pursued. With the narrative language of forbearance and restraint, the setting of realistic and plain scenes, the visual copy of ancient Chinese aesthetics and the poetic deconstruction of human nature in complex society are carried out. The film is from the whole freehand brushwork to the detail realistic. All of them demonstrate the extremely superb art skills and aesthetic taste of the creative team. The film revives the strength of Chinese traditional poetic aesthetics. It provides valuable reference and enlightenment value for Chinese film to strengthen its aesthetic coordinate and cultural appeal in the era of globalization.
【作者单位】：重庆理工大学管理学院;西南大学新闻传媒学院;
【基金】：2015年国家社科基金艺术学西部项目“青春电影的道德价值审视与重建”(项目批准号:15EC172)的中期研究成果
【分类号】：J901

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