宫崎骏动画作品悲剧意识研究

发布时间：2018-03-08 19:07

本文选题：宫崎骏动画　切入点：悲剧意识　出处：《扬州大学》2013年硕士论文　论文类型：学位论文

【摘要】：宫崎骏是日本著名的动画导演、动画师及漫画家,在全球动画界具有无可替代的地位,被迪斯尼称为“动画界的黑泽明”。他立足日本传统文化,放眼世界,关注各种生命体的生存和发展,使得他的作品具有深邃的思想和重要的意义。学界对宫崎骏及其动画的研究已经很多,包括动画主题、角色、艺术特色、对中国动画的借鉴与启示意义以及宫崎动画中蕴含的日本传统文化等多个角度的探究已相当详尽。但是,对其中的悲剧意识的探究还比较少。日本民族又是一个悲剧意识浓厚的民族,因此对宫崎骏动画悲剧意识的探究是具有重要意义的。一些研究者在探究日本悲剧意识时大多是局限于“死亡”这一范畴,本文将运用日本美学来阐释宫崎骏动画中存在的广泛意义上的悲剧意识,包括动画中体现出的乡愁、死亡和孤独。众所周知,樱花、武士道、富士山,是日本民族文化的象征。“樱花”代表日本民族的自然审美观念以及人对自身与自然的关系的认识,“武士道”是存在于日本民族意识深处的崇高信仰和生死观念,“富士山”则更像是二者的统一。它是日本的最高山,山顶终年白雪皑皑,代表了日本民族所欣赏的自然风物的纯洁无暇、淡然优雅的审美特点；又是可望而不可即的活火山,雄伟崇高,代表着日本民族“安静的激情,富于战斗性的恬淡”的国民性格。日本众多文艺作品中都有对富士山的歌颂,与其说是对自然的敬仰,不如说是对生命——这种孤独的存在形式的一种欣赏。宫崎骏的动画中有人类因自然家园丧失而生的乡愁,有淡薄生死的崇高信仰,有独自行走在人生路途的成长历练的孤独,这些情境和角色身上有着淡淡的忧伤,体现了日本民族的悲剧意识。本文以“乡愁”、“死亡”、“孤独”作为三条主线来探究宫崎骏动画中的悲剧意识。分析宫崎骏动画作品中的悲剧意识从而更加深刻地理解日本民族文化中的审美意识,了解日本美学中的一些重要概念,如森林文化、海洋文化、物哀、空寂、死亡观念、悲剧意识等等是本文的主要目的。通过对宫崎骏动画中的人物形象、情节、主题等方面的分析,从“乡愁”、“死亡”和“孤独”三个方面揭示动画中的悲剧意蕴和日本民族审美中的悲剧意识,为解读宫崎骏动画提供了一个相对新的角度。第一章樱花篇：自然家园的丧失——乡愁,探讨宫崎动画中神灵和自然被人类忘却,而人类不得不沉降于大地胎内去寻找最原始的精神家园,呈现出“流浪”或“飞翔”的状态。选择森林、海洋和大地三个与日本民族密不可分的自然家园,从它们与人类的疏离和对立的关系来阐述动画中体现出的乡愁意识,反映到人类心灵上的是精神家园的迷失而不得不流浪。第二章武士道篇：人生信仰的崇高——死亡,探讨武士道精神对日本民族人生信仰和死亡观念的影响,分析动画中的具有武士道精神的角色和体现死亡观念和悲剧意识的情节,揭示出日本民族对死亡的独特的看法。第三章富士山篇：生命存在的空寂——孤独,探讨宫崎动画中孤独意境产生的社会背景和心理,分析动画角色的孤独,结合宫崎骏生平和经历分析他作为一名动画大师的孤独,阐述孤独是生命存在的—种形式,勇于面对和承担孤独的人生才是圆满的。这三个方面体现在宫崎动画中,使得其中弥漫着淡淡的悲剧意识。
[Abstract]:Hayao Miyazaki is a famous Japanese animation director, animator and cartoonist, has an irreplaceable position in the global animation industry, is known as the "Disney animation of Kurosawa". He is based on Japanese traditional culture, have the whole world in view, concerned about the survival and development of various life, making his works have profound thought and important significance to study. Hayao Miyazaki and the animation community has many, including animated themes, characters, artistic features, explore the implication of Chinese animation and inspiring significance as well as Miyazaki Animation in Japanese traditional culture and other aspects have been quite detailed. However, research on the tragic consciousness is still relatively small. The Japanese nation is a tragedy strong national consciousness, it is of great significance to the study of Hayao Miyazaki animation's tragic consciousness. Some researchers in the study of Japanese tragedy consciousness are mostly confined to the In the category of "death", this article will use Japanese aesthetics to explain the tragic sense in the broad sense of Hayao Miyazaki animation, including homesickness, death and loneliness reflected in animation.
As everyone knows, Sakura, Bushido, Mt Fuji, is a symbol of Japanese culture. "Sakura" on behalf of the Japanese national natural aesthetic values and human understanding of their relationship with nature, "Bushido" exists in the Japanese national consciousness of the depths of the noble faith and the concept of life and death, "Mt Fuji" is more like the unity of the two it is the highest mountain in Japan, the peak is on behalf of the Japanese Snow gleams white., enjoy the national natural scenery pure aesthetic characteristics indifferent grace; it is within sight but beyond reach of the volcano, majestic and lofty, represents the Japanese nation "quiet passion, militant and tranquil national character. Japan's many literary works have praise for Mt Fuji, and that is respect for nature, as it is to this kind of lonely life -- a form of appreciation. In Hayao Miyazaki's animation Homesickness due to the loss of natural home, the noble belief of thin life and death, the lonely experience of growing alone and walking on the road of life, and these situations and roles are characterized by light sadness, reflecting the tragic consciousness of the Japanese nation.
In this paper, "nostalgia", "death", "lonely" as the three main lines to explore the tragic consciousness in the Hayao Miyazaki animated cartoon works of Hayao Miyazaki. Analysis of the tragic consciousness in order to more deeply understand Japanese culture in the aesthetic sense, understand some important concepts of Japanese aesthetics, such as forest culture, marine culture, Mononoaware and empty, the idea of death, tragedy consciousness and so on. The main purpose of this paper is based on Hayao Miyazaki animation characters, plot, theme and other aspects of the analysis, from the "nostalgia", "death" and "lonely" three aspects to reveal tragedy in animation and Japanese national aesthetic awareness of the tragedy, provide a relatively new perspective for the interpretation of Hayao Miyazaki animation.
The first chapter: Sakura natural home loss of nostalgia, Miyazaki Animation and natural gods being forgotten, and human settlement on the earth in the tyre had to go looking for the original spiritual home, showing a "Tramp" or "flying". Choose the forest, the sea and the land in three and the Japanese nation inseparable natural home, alienation and opposition and human beings from their to elaborate reflected in animation nostalgia awareness, to reflect on the human mind is the spiritual home of the lost and had to tramp. The second chapter: the life of faith of the sublime of death, to explore the influence of Japanese bushido spirit belief in life and death concept in the analysis, the animation has the spirit of Bushido role and embody the concept of death and tragedy consciousness of the plot, revealing the Japanese nation on the death of Zhang Fu third unique views. Shi Shan: being empty - lonely, alone on the social background of Miyazaki Animation artistic conception and psychological analysis, the animation role alone, combined with Hayao Miyazaki's life and experience of him as a master of animation alone, this alone is a form of life existence, the courage to face and bear the lonely life is complete. This is reflected in the three aspects of Miyazaki Animation, which was filled with a touch of tragedy consciousness.

【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

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