固定镜头的时空表达与镜语美学——电视纪录片《第三极》影像风格探析

发布时间：2018-03-10 07:12

本文选题：电视纪录片　切入点：《第三极》　出处：《艺苑》2016年04期 　论文类型：期刊论文

【摘要】：纪录片自诞生以来,拍摄手段和创作理念一直在承继与发展中更迭。新作品不断探索影像画面造型方法,以记录化的镜语革新来表现真实的生活和动人的情感。本文以新近播出的涉藏类纪录片《第三极》为例,主要探讨其固定镜头画面语言在时间的停滞与蔓延、以及在时空流转过程中释放出的镜语美学及其影像魅力,以便从中汲取养分为更多纪录片创作提供摹本。
[Abstract]:Since the birth of the documentary, shooting means and creative ideas have been inherited and developed in change. New works continue to explore the image modeling method, to reform the record mirror language to express the true life and emotion. In this paper, the recent broadcast of Tibet documentary < third > as an example, mainly discusses the fixed the lens picture language in the time of stagnation and spread, and mirror language release in time and space in the process of transfer of aesthetics and its image charm, to learn from the nutrient supply for more copies of documentary.

【作者单位】：曲阜师范大学;曲阜师范大学传媒学院;
【分类号】：J952

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