鲍德里亚拟像理论对影视文化的影响研究

发布时间：2018-03-11 10:02

本文选题：拟像理论　切入点：相互性　出处：《辽宁大学》2017年硕士论文　论文类型：学位论文

【摘要】：鲍德里亚是法国后现代主义著名思想理论家,他的理论即丰富又深刻,给学术界带来巨大影响,就此被称为“后现代主义的祭司”。他的理论有一个最突出的主题,也是他中后期思想的核心关键词——拟像,这是他对后现代社会进行探究和描述的主要线索。在拟像理论的影响下,影视文化相应的也发生变化。例如著名导演安迪·沃卓斯基兄弟的《黑客帝国》,将拟像隐喻似地显示在屏幕上。本文针对鲍德里亚的相关原著,对“拟像”这一理论术语进行研究,并从众多文献资料中梳理出拟像理论对影视文化的影响,并结合中西方学者研究鲍德里亚的最新成果,对其进行细致的分析。绪论主要阐述本论文选题的研究现状,现实意义,创新之处,研究方法。对鲍德里亚本人简单介绍,并对国内外的研究状况做一个梳理。第一章主要是拟像概念的综合介绍及其与影视文化的相互关系。首先分析鲍德里亚拟像理论的形成,并分析拟像理论在形成过程的内涵;其次介绍鲍德里亚拟像理论的运行秩序,先分析拟像发生的三个序列,接着分析拟像演变的四个层次;再次分析拟像运行过程的结果——拟真,并对两者加以区分;最后论述鲍德里亚拟像理论观照的超真实世界。在拟像概念的梳理后,主要分析鲍德里亚拟像理论与影视文化的关系。拟像与影像主要是相互性关系,鲍德里亚说过“影像即虚拟的实在”,并且在著作《美国》中特别论述了“美国”,他认为美国的电影深刻的表现了美国的拟像性。第二章主要从拟像对传统影视理论的影响以及影视文化理论对拟像理论的接受两个方面入手,论述鲍德里亚拟像理论之于影视文化理论的影响。鲍德里亚认为,拟像理论给传统的影视理论造成一定影响,拟像视域下的影视是对基于技术真实的影视模仿本体论的动摇,也是对基于结构主义语言学的影视符号学的否决,当下影视对拟像的接受主要表现在将假象演变成真实,又将真实演变成假象,同时它也给波斯特等人的影视文化理论带来一定影响,在拟像的影响下,影视作品的超现实特点也更加明显。第三章主要介绍了鲍德里亚拟像理论对影视文化实践的影响。分析鲍德里亚拟像视域下影视文化的现状,主要从拟像在影视文化的具体应用入手,通过分析时下的科幻电影、怀旧电影、真人秀电影,以此更加细致的了解在拟像理论影响下的影视文化。第四章主要介绍拟像理论影响下的影视文化特性以及对其的思考与评价。首先是虚拟性,鲍德里亚认为媒介作为生产机器,会产生一系列真实性缺失的符号,从而构成超真实世界,影像在这种情况下会使现实的真实性缺失,只留下虚拟的真实;其次是内爆性,鲍德里亚受麦克卢汉影响,认为在拟像世界,所有的界限会消逝,它表现在影视文化上,即界限的不确定性;最后是消费性,鲍德里亚的拟像理论主要阐述语境是消费社会,影视的发展在消费社会,会不自觉地向商品形式靠拢,影视艺术也由作品转变成了商品。最后结合以上内容,对拟像理论影响下的影视文化做出相应评价,从而全方位的叙述论文内容。
[Abstract]:Baudrillard is a famous French postmodern theorist, his theory is rich and profound, has brought tremendous impact to the academic circles, this is called "priest" postmodernism. His theory is one of the most prominent theme, but also his later thought of key words: simulacra, this is he on the modern society is main clue to explore and describe. In the simulacra theory under the influence of the film culture corresponding changes. For example, the famous director Andy Wachowski brothers "hacker empire", will be like a metaphor was displayed on the screen. The original works for Baudrillard, "to study like this theory the term, and from the numerous literature combing the simulacra theory to the influence of film culture, combined with the latest achievements in the research of western scholars Baudrillard, detailed analysis of its introduction. The research present situation, elaborated the topic of this paper is of practical significance, innovations, research methods. On Baudrillard himself briefly, and the research status at home and abroad to do a comb. The first chapter is mainly the relationship between comprehensive introduction of concepts like and film culture. First analysis of Baudrillard and the formation of the theory of simulacra. Analysis of the simulacra theory in the forming process of the connotation; secondly, Body intends to run like order theory, the first analysis of simulacra three sequences occur, then analysis of simulacra four levels of evolution; again analysis simulacra -- the result of simulation running process, and to distinguish between the two; finally discusses Baudrillard simulacra the theoretical reflection of the real world. In super simulacra concepts, mainly analyzes the relationship between theory and quasi Baudrillard like film culture. Simulacra and image is mutual relationship, Baudrillard said" The image is the virtual reality ", and in the book < > in the United States especially on the" American ", he thought that the movie reflects the profound American simulacra. The second chapter mainly from the simulacra influence on traditional film theory and film culture theory of simulacra theory accepted two aspects discussed Baudrillard intends to influence like theory to theory of film culture. Baudrillard believes that the simulacra theory affects the traditional film theory, from the perspective of simulacra is on television technology real film ontology based on imitation is based on shake, structural linguistics, semiotics and current film to be rejected as the acceptance includes the illusion evolved into real and true, will evolve into an illusion, but also to post et al film culture theory has certain influence, in the influence of simulacra, as shadow The surreal features are more obvious. The third chapter mainly introduces the theory of quasi Baudrillard like effect of film culture practice. Analysis of Baudrillard to be like the current situation of visual culture from the perspective of, mainly from the specific application of simulacra in film and television culture, through the analysis of the current science fiction movies, movies, reality TV movies, as more the detailed understanding of the simulacra theory under the influence of the film culture. The fourth chapter mainly introduces the quasi film culture characteristics like under the influence of the theories and their thinking and evaluation. The first is virtual, Baudrillard believes that the media as a production machine, will produce a series of lack of authenticity of symbols, which constitute the super real world image. The reality in this case the authenticity of the missing, leaving only the virtual reality; followed by the implosion of Baodeliyar affected by Mcluhan, that in all the world be like world. The limit will fade away, it was showed in the film culture, namely the limits of uncertainty; finally the consumer, Baudrillard simulacra theory mainly expounds the context of consumer society, film and television development in the consumer society, will not consciously close to the form of goods, but also by the film and television art works turned into commodities. Finally, with the combination of the above and on the simulacra theory under the influence of the film culture and make the corresponding evaluation, thus fully described the content.

【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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