狂欢化语境中的《美女与野兽》

发布时间：2018-03-12 08:20

本文选题：《美女与野兽》　切入点：狂欢化　出处：《电影文学》2017年20期 　论文类型：期刊论文

【摘要】：由美国导演比尔·康顿执导的迪士尼真人版电影《美女与野兽》一经上映就赢得了观众的喜爱和业界人士的赞许。影片取材于古老的法国童话,讲述的是真爱战胜魔法的故事,然而影片所要呈现的不仅仅是"王子与灰姑娘"般的爱情童话,还有狂欢化色彩。无论是电影情节对现实社会秩序的颠覆,还是人物角色双重性格塑造,抑或是压制—宣泄的情感体验,都充分展了狂欢化诗学的种种特性。越过童话电影的标签,本文将在狂欢化语境中来诠释该部影片,挖掘影片中所蕴含的狂欢化色彩,探讨其对电影叙事的现实意义。
[Abstract]:The Disney live-action film "Beauty and the Beast", directed by American director Bill Conton, has won both audience and industry approval since its release. The film is based on an ancient French fairy tale about the triumph of true love over magic. However, what the film wants to present is not only the love fairy tale of "Prince and Cinderella", but also the carnival color. Whether it is the subversion of the real social order by the plot of the film or the double character shaping of the characters, Or the emotional experience of repression and catharsis has fully developed the characteristics of carnival poetics. Over the label of fairy tale films, this paper will interpret the film in the context of carnival, and dig out the carnival color contained in the film. Discuss its realistic significance to the film narrative.
【作者单位】：南昌大学外国语学院;
【分类号】：J905

【相似文献】