中国后宫题材电视剧研究

发布时间：2018-03-16 04:09

本文选题：后宫题材　切入点：生成语境　出处：《南京师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：后宫题材电视剧作为一种独立的类型,出现只不过十年的时间,但是在短短十年中却涌现出数十部作品,这些作品在叙事特征和影像风格上都极为类似,已经形成了一种成熟的类型模式。尤其是《甄[传》的出现,掀起了一阵“后宫”的热潮,成为近两年最重要的电视剧文化现象。后宫题材电视剧在掀起收视热潮的同时,也陷入了巨大的社会争议,其呈现出的价值观念和人物形象都引来诸多批判之声。在后宫题材电视剧出现十年之际,有必要将其视为一种独立的类型剧,对其进行深度的剖析,从而可以找出其最本质的核心特征,同时对其进行批判性的反思。文章立足于后宫题材电视剧的本体特征,从艺术与文化的尺度上,对后宫题材电视剧的生成语境和叙事特征、文化属性等展开探究,最终以批判性的视角对此进行反思。第一章,是从历史文化传统与社会现实两个方面来梳理出后宫题材电视剧的生成语境。第二章对后宫题材电视剧的叙事特征进行分析,总结出其本质的特征是对死亡危机的重复呈现。第三章对后宫题材电视剧的女性形象塑造加以论述,对塑造手段加以总结,并且梳理出女性形象在符号上的所指,并且对女性形象塑造的审美误区进行批判。第四章,以批判性的视角对后宫题材电视剧进行反思。文章综合了哲学、电影学、历史学、社会学和传播学、人类学等多个学科的知识,立足于后宫题材电视剧的影视文本,结合我国历史文化传统和社会现实土壤,用批判性的视角,对后宫题材电视剧进行了深入的研究。
[Abstract]:As an independent type, Hougong TV series appeared for only 10 years, but in a short period of 10 years, dozens of works have emerged, which are very similar in narrative characteristics and image style. Has formed a kind of mature type pattern. In particular, the appearance of "Zhen" has set off an upsurge of "Hougong", which has become the most important cultural phenomenon of TV dramas in the past two years. It has also fallen into a huge social dispute, and its values and figures have attracted a lot of criticism. When the Hougong TV series appeared for ten years, it is necessary to regard it as a kind of independent type drama, and deeply analyze it. So we can find out its most essential core characteristics, and at the same time to critically reflect on it. Based on the Noumenon characteristics of Hougong TV dramas, this paper probes into the producing context, narrative features and cultural attributes of Hougong TV dramas from the scale of art and culture. The first chapter is to sort out the context of Hougong TV dramas from the aspects of historical, cultural tradition and social reality. The second chapter analyzes the narrative characteristics of Hougong TV dramas. The third chapter discusses the female image of Hougong TV series, summarizes the shaping means, and combs out the symbol of female image. And the female image of the aesthetic misunderstanding of the criticism. 4th chapter, from a critical perspective to reflect on the Hougong theme TV series. The article synthesizes the knowledge of philosophy, film, history, sociology and communication, anthropology and so on. It is based on the film and television texts of Hougong TV series, combined with the historical and cultural traditions of our country and the social reality soil. With the critical perspective, the Hougong theme TV series has been deeply studied.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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