转型期的探索：2000-2004年台湾电影研究

发布时间：2018-03-16 06:03

本文选题：转型　切入点：新生代　出处：《南京师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：新世纪初期,台湾电影开始艰难的转型。这一转型一方面与新千年台湾地区政治、经济、社会、文化环境的改变有关,另一方面也是台湾电影绝境求生的必然选择。从台湾电影发展史这一大坐标来看,2000-2004转型期的台湾电影无疑具有承前启后的意义。产业的创新与调整,创作人才的新老交替,全球化与本土化的合纵连横,身份认同的危机与台湾新形象的塑造,使得这一时期的台湾电影不同于以往任何一个时期。新现象的出现与新力量的注入带来的是新秩序的日渐成形。具体而言,转型期的台湾电影在四个大方向上进行了有价值的探索和发展。首先,从产业的角度来看,处在低谷中的台湾电影通过新兴力量的注入、市场的拓展、目标受众的开发而呈现出与以往不同的样貌。其次,转型期的台湾新生代电影人通过重建电影的商业意识和向新电影告别的姿态开始了从“作者电影”向“观众电影”的转变。第三,在日渐成为主流制作模式的跨国／跨区域电影中,新世纪伊始的台湾电影呈现出全球化与在地化交互吸融的特征。第四,全球化带来了身份认同的危机,同时也提供了重建本土身份的可能性,转型期的台湾电影通过对青春、自然与地方感的强调,初步形成了一个全新的台湾形象。
[Abstract]:At the beginning of the new century, Taiwan films began to undergo a difficult transformation. This transformation is related on one hand to the changes in the political, economic, social and cultural environment of the Taiwan region in the new millennium. On the other hand, it is also an inevitable choice for the survival of Taiwan's film industry. From the perspective of the history of Taiwan's film development, there is no doubt that the period of transition from 2000 to 2004 has the significance of connecting the past with the future. The innovation and adjustment of the industry and the replacement of creative talents with the old are no doubt. Globalization and localization, the crisis of identity and the shaping of Taiwan's new image, Taiwan films in this period are different from any other period in the past. The emergence of new phenomena and the injection of new forces have brought about the gradual formation of a new order. Specifically, In the transitional period, Taiwan films have made valuable explorations and developments in four major directions. First, from the industrial point of view, Taiwan films in the valley are being injected with new forces and the market has expanded. The development of the target audience presents a different look than before. Secondly, The new generation of filmmakers in Taiwan in the transitional period began the transition from "author's film" to "audience film" by rebuilding the commercial consciousness of the film and the gesture of farewell to the new film. Third, In the transnational / cross-regional films, which are becoming the mainstream production mode, the Taiwanese films at the beginning of the new century show the characteristics of globalization and the interaction between the local and the local. 4th, globalization has brought about the crisis of identity. At the same time, it also provides the possibility of rebuilding the local identity. Through the emphasis on youth, nature and local feeling, the Taiwan film in the transitional period has initially formed a new Taiwan image.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J909.2

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