从国军、儿童、窃贼看民国观影文化的变迁

发布时间：2018-03-17 07:08

本文选题：国军　切入点：儿童　出处：《电影艺术》2017年02期 　论文类型：期刊论文

【摘要】：本文试从民国时期三类不受欢迎的观众入手,分别考察由国军、儿童、窃贼构成的另类观影文化史,并尝试阐明"近代史就是不断从日常生活中驱逐暴力的过程"(埃利亚斯语)的真理,同时澄清此"暴力"包含身体及思想双重结构、此过程也绝非不可逆转。因为战争的结束并不意味着战争思维的终结,政权的更迭往往是暴力换装再现的历史起点。
[Abstract]:Starting with three unpopular audiences in the Republic of China, this paper examines the cultural history of the alternative film viewing made up of the national army, children and burglars, respectively. And try to clarify the truth that "modern history is the process of constantly expelling violence from everyday life" (Elyas), and clarify that this "violence" contains a dual structure of body and mind. This process is by no means irreversible, for the end of war does not mean the end of war thinking, and regime change is often the historical starting point for violent reappearance.
【作者单位】：武汉纺织大学传媒学院;
【分类号】：J905

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