“十七年”中国内地戏曲电影和香港邵氏黄梅调电影艺术比较研究

发布时间：2018-03-17 11:19

本文选题：戏曲电影　切入点：邵氏黄梅调　出处：《浙江大学》2015年硕士论文　论文类型：学位论文

【摘要】：戏曲电影是中国电影的一个特殊类型,是以中国传统戏曲为表现对象,用影像为手段,将戏曲和电影完美结合的一种电影艺术。戏曲电影与中国电影一起走过了百年的历程。1949年新中国成立至1966年,这段时期的中国电影被影界称为"十七年电影"。作为群众基础最厚实的艺术形式,这个时期的电影除了艺术特征的展现,以及隐含着创作者的个人观念之外,还在普遍意义上被当做了权威的工具,作为意识形态传播的方式,在政治与艺术的结合上创立了一套充满政治语汇的电影语言体系。在整个"十七年电影"中,戏曲电影的繁荣,为这个时期的电影增添了别样的光彩。这一被称为戏曲电影"黄金时代"的时期,涌现出大量优秀的戏曲电影作品。而在此后不久,在中国的另一隅,香港邵氏的电影王国开始了黄梅调电影创作,从1958年第一部作品《貂蝉》开始,掀起了"无片不黄梅"的风潮,黄梅调电影在华语电影国际化的过程中,扮演了至关重要的角色。"十七年"戏曲电影与邵氏黄梅调电影有诸多的相同题材,本文在剧目搜集的基础上,将两者相同或相似题材中的叙事特征、影像语言和美学风格等艺术特点进行比较,分析其中的差异,并推论各自艺术特征形成的原因。在内地"十七年"的政治倾向和社会文化环境下,戏曲电影和其他类型的影片一样,其价值在于政治宣传工具、承载社会使命和启发民众认知的社会效应。而对于邵氏这样一个民营的电影制片商来说,电影是商业产品,其创作的每一个环节都是以票房为主要目的。虽然有诸多的差异,但作为电影艺术,在戏曲电影和黄梅调电影中同样蕴含着创作者个人情怀的抒发,同样表现了对中国传统文化和美学的继承与发扬,这让我们看到了在中华大地上开出的同根的两枝奇葩。
[Abstract]:Opera film is a special type of Chinese film. It takes Chinese traditional opera as its object of expression and uses image as its means. A film art that combines opera and film perfectly. Opera movies and Chinese films have gone through a hundred years. From 1949 to 1966, New China was founded. The Chinese films of this period are called "17 years' films" by the film circle. As the most solid art form based on the masses, the films of this period not only show the artistic characteristics, but also imply the creators' personal ideas. It has also been used as a tool of authority in a universal sense, as a means of ideological communication, to create a film language system full of political vocabulary in the combination of politics and art. The prosperity of opera films has added a different luster to the films of this period. This period, known as the golden age of opera films, has sprung up a large number of excellent opera films. And soon thereafter, in another corner of China, The film kingdom of Shao in Hong Kong began Huang Mei's film creation. Since 1958, the first work, "Diao Chan," has set off a wave of "nothing without a film," in the process of internationalizing the Chinese language film. "Seventeen years" drama film and Shao Huang Mei's film have many same themes. Based on the collection of plays, this paper puts the narrative characteristics of the same or similar themes. Comparing the artistic features of image language and aesthetic style, analyzing the differences among them, and deducing the reasons for the formation of their respective artistic characteristics. Under the political tendency and social and cultural environment of "17 years" in the mainland, Opera movies, like other types of films, have the same value as political propaganda tools, social missions and social effects that inspire people's awareness. For a private film producer like Shaw, the film is a commercial product. Although there are many differences, as the art of film, it also contains the expression of the creators' personal feelings in the drama movies and Huang Mei's films. It also shows the inheritance and development of Chinese traditional culture and aesthetics.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J951.2

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